A FINE MUGHAL RED SANDSTONE CHINI KANA PANEL
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A FINE MUGHAL RED SANDSTONE CHINI KANA PANEL

NORTH INDIA, 17TH CENTURY

Details
A FINE MUGHAL RED SANDSTONE CHINI KANA PANEL
North India, 17th century
Of rectangular form, the large central niche with cusped foliate arch composed of variegated leaves containing a footed platter upon which rests a stylised flask with stylised stopper resembling a spray of leaves, flanked by two smaller lidded dishes, either side of which is a smaller niche containing similar flasks, each with flowerhead stopper, beneath which smaller niches containing blank cusped cartouches, the reverse left rough, on modern painted black metal mount
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Lot Essay

This kind of decoration was referred to as chini kana, a term meaning "China room", and applied to small wall-niches in which were placed bottles, vases and other vessels

Similar though less stylised and floriated flasks arranged in niches carved in red sandstone are illustrated in Mark Zebrowski, Gold, Silver and Bronze from Mughal India, 1997, p. 185, pl. 269. That decoration is from the Gate Pavilion of the Suraj Bhan ka Bagh at Sikandra and dates from the first quarter of the seventeenth century. The exterior walls of another early seventeenth century palace at Sikandra, the Kanch Mahal, are also decorated with flasks in niches.

According to Zebrowski, such motifs may originally have had a connection with the "waters of fertility" and hence with good fortune and abundance, but it seems likely that by the seventeenth century they were appreciated more for their elegant shapes. See Ebba Koch, Mughal Architecture: An Outline of its History and Development (1526-1858), 1991, p. 89, pl. 100 and p. 158 and Mark Zabrowski, Gold, Silver and Bronze from Mughal India, 1997, p. 185. Zebrowski also illustrates a wall decoration in a Deccani painting with cusped niches carved with flasks, bottles and other vessels, op cit p.194, pl. 295.

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