A STAFFORDSHIRE POTTERY BUST OF GEORGE WASHINGTON
A STAFFORDSHIRE POTTERY BUST OF GEORGE WASHINGTON

LATE 19TH/20TH CENTURY, AFTER A MODEL BY ENOCH WOOD

Details
A STAFFORDSHIRE POTTERY BUST OF GEORGE WASHINGTON
Late 19th/20th century, after a model by Enoch Wood
The leader modelled with head erect and turned slightly to the side, his gaze serious and into the distance, depicted in full maturity with curly grey wig tied at the back, wearing a soft pinkish-puce buttoned jacket with high collar which hangs open to reveal a floral-patterned yellow vest, a puce-trimmed light blue jabot tied round his neck, all supported on a bow-front faux marbre socle
8¼ in. (21 cm.) high
Provenance
Purchased from Charles Woolsey Lyon, New York, June 1920

Lot Essay

The present model is based on a painting by Gilbert Stuart. After polishing his skills in Britain, he brought to America an international language of portraiture that satisfied the new nation's need for lasting images of its first leaders. During the period 1795-96 Stuart was granted three sittings with Washington. Stuart created three portrait types for the president: a bust-length facing left (the so-called Vaughan image), another facing right (the Athenaeum version) and a full-length composition (the Lansdowne).

See Geoffrey A. Godden, An Illustrated Encyclopedia of British Pottery and Porcelain, New York, 1966, p. 360, pl. 633 for a black basaltes example by Enoch Wood, circa 1818, in the Museum & Art Gallery, Stoke-on-Trent. For a similar pottery example see Paul Atterbury, English Pottery and Porcelain, p. 164. Also see The Collection of Rev. Benjamin J. Lake, D.D., Sotheby's, New York, 29 January 1987, lot 436; and an anonymous sale, Sotheby's, New York, 16 April 1998, lot 317.

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