**AN UNUSUAL LOBED BERYL SNUFF BOTTLE
Prospective purchasers are advised that several co… Read more
**AN UNUSUAL LOBED BERYL SNUFF BOTTLE

1770-1840

Details
**AN UNUSUAL LOBED BERYL SNUFF BOTTLE
1770-1840
Of quatrelobed, vertically fluted form, the stone of pale lime-green color suffused with an attractive dense network of flaws, rose quartz stopper, probably original
1 7/8 in. (4.7 cm.) high
Provenance
Christie's, New York, 4 November 1977, lot 304
Hugh M. Moss Ltd.
Literature
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 1, no. 71
Exhibited
Christie's, New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

Beryl is a semi-precious stone that in its blue variety is known as aquamarine. As seen here, larger pieces of the material are permeated with natural flaws which, when the material is polished, refract the light, creating a brilliant rainbow-colored iridescence.

Beryl was used at the Court to produce snuff bottles from the Qianlong period onwards and a series of either plain, rounded rectangular bottles, or similar shapes with chi-dragon decoration, were a mid-Qing, Imperial staple. The present example, however, although probably from the same group, is of lobed form, which creates a more jewel-like effect of the intense, iridescent color. Although the walls have been left relatively thick, no doubt to maximize the intensity of the color, the interior space is symmetrical and well finished and follows exactly the size and shape of each lobe, all suggesting an earlier phase of production.

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