Lot Essay
The plain blade-like pendent sash at the front and the sensitively defined collarbone are very unusual; compare with a related figure in G. Coedes, L'Art Khmer, 1940, fig. 122, and p. 103f, where the author points out the evolution towards a culmination in Khmer art by the Bayon period, with a more restrained and symplified treatment of the robes in favor of an emphasis on the head and its spiritual expression, highlighted by the 'sourire du Bayon'. For the design of the sash compare also with a bronze figure of Uma illustrated in P. Pal, Asian Art at the Norton Simon Museum, vol. 3, 2004, cat. no. 174, p. 221.