Lot Essay
The form of this bottle derives directly from metalwork (see for example the Tiflis ewer, published by Eva Baer, Metalwork in Medieval Islamic Art, New York, 1973, fig.166, p.192). It is a variant on a known glass form of the later Sassanian period (David Whitehouse, Sassanian and Post-Sassanian Glass in the Corning Museum of Glass, New York, 2005, no.65, pp.54-56, the note to which lists further examples). In contrast to that form however, the present one has much more of a curve to the sides. It also raises the whole body on a high foot where the more frequently encountered type has no foot, just resting on a larger circular facet.