Details
Photographic books
comprising: E. J. Wall, A Dictionary of Photography, London: Hazell, Watson & Viney, 1889; Lyonel Clark, Platinum Toning, London: Hazell, Watson & Viney, 1890; T. C. Hepworth, Evening Work for Amateur Photographers, London: Hazell, Watson & Viney, 1890; William Heighway, The Esthetics of Photography, London: Piper & Carter, 1882; T. Frederick Hardwich, A Manual of Photographic Chemistry, ninth edition, London: J. & A. Churchill, 1883; H. P. Robinson, Pictorial Effect in Photography, third edition, London: Piper & Carter, 1886; C. J. Leaper, Experimental Photography, London: Hazell, Watson & Viney, 1890; W. Ingles Rogers, A Casket of Photographic Gems, London: Piper & Carter, 1890; Chapman Jones, An Introduction to the Science and Practice of Photography, London: Iliffe & Son, 1888; H. P. Robinson, Letters on Landscape Photography, London: Piper & Carter, 1888; W. de W. Abney, Photography with Emulsions, third edition, London: Piper & Carter, 1885; William Heighway, Practical Portrait Photography, third edition, London: Piper & Carter, 1889; F. W. Mills, Photography for Architects, London: Iliffe & Son, 1890; W. H. Burbank, The Photographic Negative, New York: Scovill Mfg. Co., 1888; W. Jerome Harrison, A History of Photography, Bradford: Percy Lund & Co., 1888; E. A. Just, Bromide Paper, Bradford, Percy Lund & Co., 1891; Andrew Pringle, Practical Photo-Micrography, New York: Scovill & Adams Company, 1890; Capt. Abney, The Art and Practice of Silver Printing, London: Piper & Carter, 1888; Robert Johnson, The Art of Retouching Photographic Negatives, London: Marion & Co., 1889; F. W. Mills, The Art and Practice of Interior Photography, London: Simpkin, Marshall, Hamilton, Kent & Co., 1890; W. K. Burton & Andrew Pringle, The Processes of Pure Photography, New York: Scovill & Adams Co., 1889 (21)
comprising: E. J. Wall, A Dictionary of Photography, London: Hazell, Watson & Viney, 1889; Lyonel Clark, Platinum Toning, London: Hazell, Watson & Viney, 1890; T. C. Hepworth, Evening Work for Amateur Photographers, London: Hazell, Watson & Viney, 1890; William Heighway, The Esthetics of Photography, London: Piper & Carter, 1882; T. Frederick Hardwich, A Manual of Photographic Chemistry, ninth edition, London: J. & A. Churchill, 1883; H. P. Robinson, Pictorial Effect in Photography, third edition, London: Piper & Carter, 1886; C. J. Leaper, Experimental Photography, London: Hazell, Watson & Viney, 1890; W. Ingles Rogers, A Casket of Photographic Gems, London: Piper & Carter, 1890; Chapman Jones, An Introduction to the Science and Practice of Photography, London: Iliffe & Son, 1888; H. P. Robinson, Letters on Landscape Photography, London: Piper & Carter, 1888; W. de W. Abney, Photography with Emulsions, third edition, London: Piper & Carter, 1885; William Heighway, Practical Portrait Photography, third edition, London: Piper & Carter, 1889; F. W. Mills, Photography for Architects, London: Iliffe & Son, 1890; W. H. Burbank, The Photographic Negative, New York: Scovill Mfg. Co., 1888; W. Jerome Harrison, A History of Photography, Bradford: Percy Lund & Co., 1888; E. A. Just, Bromide Paper, Bradford, Percy Lund & Co., 1891; Andrew Pringle, Practical Photo-Micrography, New York: Scovill & Adams Company, 1890; Capt. Abney, The Art and Practice of Silver Printing, London: Piper & Carter, 1888; Robert Johnson, The Art of Retouching Photographic Negatives, London: Marion & Co., 1889; F. W. Mills, The Art and Practice of Interior Photography, London: Simpkin, Marshall, Hamilton, Kent & Co., 1890; W. K. Burton & Andrew Pringle, The Processes of Pure Photography, New York: Scovill & Adams Co., 1889 (21)
Provenance
The former property of Leeds Photographic Society.
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