Lot Essay
Cette étude de jeune danseuse appartient à une série de dessins que Degas exécuta probablement au début des années 1880. L'artiste y représente les jeunes danseuses de l'Opéra de Paris dans leurs exercices, mettant ainsi à profit son talent de dessinateur consciencieux pour rechercher et étudier leurs mouvements. Il multipliait les esquisses, dessinées sur le vif, et annotait sur la plupart d'entre elles des commentaires (à l'exemple de cette oeuvre) sur la terminologie du ballet, la technique d'un mouvement, ou sur sa propre habileté à représenter fidèlement le sujet dans sa position, ou encore sur les efforts déployés par la danseuse pour parfaire son exercice. L'artiste se constitua ainsi un énorme répertoire de formes et de notes dont il se servit comme référence dans l'élaboration de ses tableaux.
This study of a young dancer is one of a series likely drawn in the early 1880s in which Degas depicted the young dancers of the Paris Opera limbering up, practicing at the barre or trying to perfect their movements. Degas drew these studies from life, and put them aside for future reference when working on his paintings. These drawings are noteworthy for the artist's annotations, which assisted the artist in learning the terminology of ballet exercises and steps, and occasionally include critiques of the dancer's efforts or even the artist's judgment of his own success at rendering them accurately. Degas amassed an enormous repertoire of dance movements and notes that would continue to serve him in the execution of his paintings.
This study of a young dancer is one of a series likely drawn in the early 1880s in which Degas depicted the young dancers of the Paris Opera limbering up, practicing at the barre or trying to perfect their movements. Degas drew these studies from life, and put them aside for future reference when working on his paintings. These drawings are noteworthy for the artist's annotations, which assisted the artist in learning the terminology of ballet exercises and steps, and occasionally include critiques of the dancer's efforts or even the artist's judgment of his own success at rendering them accurately. Degas amassed an enormous repertoire of dance movements and notes that would continue to serve him in the execution of his paintings.