Lot Essay
This present drawing is an example of the technique of varnishing on both sides that Gainsborough described in his letter to William Jackson in around 1773. Gainsborough experimented in the 1770s with techniques that greatly enhanced the pictorial quality of his work on paper. The introduction of a new depth and weight to his drawing style was in keeping with a common desire amongst contemporary watercolourists to elevate the status of their work. In 1772 at the Royal Academy he exhibited two large varnished drawings and the catalogue described them as 'in imitation of oil painting'.
John Hayes dated the present drawing to the early to mid 1770s and it is one of Gainsborough's classical landscapes executed on blue paper. The treatment of the scalloped foliage is similar in technique to J. Hayes, op.cit., no. 359, pl. 127.
John Hayes dated the present drawing to the early to mid 1770s and it is one of Gainsborough's classical landscapes executed on blue paper. The treatment of the scalloped foliage is similar in technique to J. Hayes, op.cit., no. 359, pl. 127.