Graham Sutherland, O.M. (1903-1980)
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Graham Sutherland, O.M. (1903-1980)

Red Tree

Details
Graham Sutherland, O.M. (1903-1980)
Red Tree
signed 'G Sutherland' (lower right) and inscribed 'Red Tree' (on the reverse)
oil on canvas
22¼ x 36¼ in. (56.5 x 92 cm.)
Painted in 1935-36.
Provenance
with Marlborough Fine Art, London, where purchased by the present owner in 1965.
Literature
M. Evans (Ed.) The Painter's Object, London, 1937, p. 93 as 'Painting'.
J. Hayes, The Art of Graham Sutherland, Oxford, 1980, pl. 25 (with wrong caption).
R. Berthoud, Graham Sutherland A Biography, London, 1982, p. 89.
Exhibition catalogue, Graham Sutherland, London, Tate Gallery, 1982, p. 77, no. 52, illustrated.
Exhibition catalogue, Graham Sutherland Landscapes, War Scenes, Portraits 1924-1950, London, Dulwich Picture Gallery, 2005, p. 77, no. 18, illustrated.
Exhibited
London, Goldsmith's Gallery, Graham Sutherland, no. 82, catalogue not traced.
London, Agnew's, Young British Painters, January 1937, no. 36 as 'Tree No. 2'
Bristol, Museum and Art Gallery, 1951, no. 73.
Turin, Galleria Civica d'Arte Moderna, October - November 1965, no.1.
London, Tate Gallery, Graham Sutherland, May - July 1982, no. 53, this exhibition travelled to Magistrat der Stadt Darmstadt.
London, Royal Academy, British Art in the 20th Century, February - April 1987, no. 82.
London, Dulwich Picture Gallery, Graham Sutherland Landscapes, War Scenes, Portraits 1924-1950, June - September 2005, no. 18, this exhibition travelled to Nottingham, Djanogly Art Gallery.
Special notice
VAT rate of 17.5% is payable on hammer price plus buyer's premium.

Lot Essay

Sutherland produced two works called 'Red Tree' in 1936. The inspiration, as he told Andrew Causey (Illustrated London News CCXVIII, 'Graham Sutherland Explains His Art', 19 February 1966, p. 30) coming from a found object, a piece of flotsam he had seen washed up somewhere, 'The one field in which the surrealist helped me to widen my range was in their propagation of the idea that there was worthy subject matter for painting in objects the painter would never have looked at before ... Surrealism helped me to realise that forms which interested me existed already in nature, and were waiting for me to find them.'

The present work is partly abstracted from the other work, it retains the dark shadow under the form and the arched shape on the right, however the organic forms of the wood have given way to a flat abstract pattern, and the atmospheric handling of the landscape has been replaced by hard, solid colours (loc. cit). The other work entitled 'Red Tree' (Private Collection) from the same year was previously in the collection of Kenneth Clark.

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