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Verre et assiette de fruits
Details
Georges Braque (1882-1963)
Verre et assiette de fruits
signed and dated 'G Braque 30' (lower left)
oil on canvas
10¾ x 13 7/8 in. (27.3 x 35.2 cm.)
Painted in 1930
Verre et assiette de fruits
signed and dated 'G Braque 30' (lower left)
oil on canvas
10¾ x 13 7/8 in. (27.3 x 35.2 cm.)
Painted in 1930
Provenance
Dr Gottlieb Friedrich Reber, Lausanne.
Rosenberg & Helft Ltd., London.
Samuel S. White III & Vera White, Ardmore, Philadelphia.
On loan to the Philadelphia Museum of Art 1962-1966 (no. 1156).
Mrs D. MacDonald, London.
Rosenberg & Helft Ltd., London.
Samuel S. White III & Vera White, Ardmore, Philadelphia.
On loan to the Philadelphia Museum of Art 1962-1966 (no. 1156).
Mrs D. MacDonald, London.
Literature
C. Zervos, 'Le Classicisme de Braque', Cahiers d'Art, 1931, p. 39 (illustrated).
C. Zervos, 'Georges Braque', Cahiers d'Art, 1933, p. 62 (illustrated).
'Masterpieces of Philadelphia Private Collections', Philadelphia Museum of Art Bulletin, 1950, no. 5, p. 95.
Galerie Maeght (ed.), Catalogue de l'oeuvre de Georges Braque, Peintures 1928-1935, Paris, 1962, p. 52 (illustrated).
'The Samuel S. White III and Vera White Collection', Philadelphia Museum of Art Bulletin, vol. LXIII, 1968, no. 4, p. 82 (illustrated p. 85).
C. Zervos, 'Georges Braque', Cahiers d'Art, 1933, p. 62 (illustrated).
'Masterpieces of Philadelphia Private Collections', Philadelphia Museum of Art Bulletin, 1950, no. 5, p. 95.
Galerie Maeght (ed.), Catalogue de l'oeuvre de Georges Braque, Peintures 1928-1935, Paris, 1962, p. 52 (illustrated).
'The Samuel S. White III and Vera White Collection', Philadelphia Museum of Art Bulletin, vol. LXIII, 1968, no. 4, p. 82 (illustrated p. 85).
Exhibited
London, Rosenberg & Helft Ltd., Braque, 1938-1939, no. 22.
Philadelphia, Museum of Art, Masterpieces of Philadelphia Private Collections, 1950, no. 5.
Edinburgh, Royal Scottish Academy, Georges Braque, an Exhibition of Paintings, 1956, no. 65 (illustrated in the catalogue fig. 23a); this exhibition later travelled to London, Tate Gallery.
Philadelphia, Museum of Art, The Samuel S. White III and Vera White Collection, 1968.
Oviedo, Museo de Bellas Artes de Asturias, Paris-Moscú 1900-1925: La Deconstruccion De La Forma, September - October 2002, pp. 74-75 (illustrated in the catalogue).
Philadelphia, Museum of Art, Masterpieces of Philadelphia Private Collections, 1950, no. 5.
Edinburgh, Royal Scottish Academy, Georges Braque, an Exhibition of Paintings, 1956, no. 65 (illustrated in the catalogue fig. 23a); this exhibition later travelled to London, Tate Gallery.
Philadelphia, Museum of Art, The Samuel S. White III and Vera White Collection, 1968.
Oviedo, Museo de Bellas Artes de Asturias, Paris-Moscú 1900-1925: La Deconstruccion De La Forma, September - October 2002, pp. 74-75 (illustrated in the catalogue).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.