Thomas Ender (1793-1875)
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Thomas Ender (1793-1875)

View overlooking Rio de Janeiro from the Tijuca forest; A mediterranean costal scene; An Italian landscape; and Lauterbrun Valley, Switzerland

Details
Thomas Ender (1793-1875)
View overlooking Rio de Janeiro from the Tijuca forest; A mediterranean costal scene; An Italian landscape; and Lauterbrun Valley, Switzerland
the third signed, 'Th Ender' (lower left)
watercolour on paper
unframed
4¾ x 7 11/16in. (12.1 x 19.5cm.) 4 5/8 x 7 7/16in. (11.8 x 18.8cm.)
5½ x 7 15/16in. (13.9 x 20.2cm.)
5 x 7 5/8in. (12.7 x 19.3cm.) (4)
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Ender travelled in Brazil in 1817 in the retinue of the Austrian Archduchess Leopoldine. Leopoldine, bound for Rio to marry Don Pedro, heir to the throne of Portugal and future emperor of Brazil, was accompanied by a formidable scientific mission which included the Austrian and Bavarian zoologists and botanists Natterer, Pohl, Spix and Martius. Ender was selected personally by Prince Metternich to accompany the party as artist. He spent ten and a half months in Brazil, from 14 July 1817 until 1 June 1818, working in Rio and its surroundings and travelling to Sao Paulo with Spix and Martius before recurrent illness curtailed his travels.

A selection of his work was engraved in Pohl's Atlas zur Beschreibung der Reise in Brasilien and in Martius's celebrated Flora Brasiliensis. For his Brazilian work, see R. Wagner, Thomas Ender no Brazil, Graz, 1997.

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