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Details
An Arts and Crafts gold and amethyst necklace by John Paul Cooper
Comprising a series of collet-set square cabochon amethyst panels with pierced bunch of grapes motif connecting links, suspending in the centre a panel drop of grape and vine leaf raised motif design, with cabochon amethyst single stone shoulders and pear-shaped cabochon amethyst drops, to a bead connecting link, flanked by matching twin panel drops, circa 1905, additional links to the clasp, approximately 38.5 cm. long
With maker's applied monogram PC for John Paul Cooper
Comprising a series of collet-set square cabochon amethyst panels with pierced bunch of grapes motif connecting links, suspending in the centre a panel drop of grape and vine leaf raised motif design, with cabochon amethyst single stone shoulders and pear-shaped cabochon amethyst drops, to a bead connecting link, flanked by matching twin panel drops, circa 1905, additional links to the clasp, approximately 38.5 cm. long
With maker's applied monogram PC for John Paul Cooper
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
Further details
John Paul Cooper (1869 - 1933)
John Paul Cooper was trained as an architect but later specialised as a designer, goldsmith and silversmith. After attending Bradfield college Cooper began work at the architectural firm of J.D. Sedding where he met Sedding's assistant Henry Wilson. Both he and Wilson developed a keen interest in metal working and jewellery design. Cooper took a post as head of the metalwork department at Birmingham school of Art and joined the 'Birmingham group' that included members such as the jewellers Arthur Gaskin and Sidney Meteyard. He later set up his own workshop producing pieces for the Artificer's Guild as well as creating his own designs some of which he exibited at the Exposition De l'Art decoratif in Paris. He often executed his jewellery in gold as opposed to the more typical silver creations produced by his associates.
John Paul Cooper was trained as an architect but later specialised as a designer, goldsmith and silversmith. After attending Bradfield college Cooper began work at the architectural firm of J.D. Sedding where he met Sedding's assistant Henry Wilson. Both he and Wilson developed a keen interest in metal working and jewellery design. Cooper took a post as head of the metalwork department at Birmingham school of Art and joined the 'Birmingham group' that included members such as the jewellers Arthur Gaskin and Sidney Meteyard. He later set up his own workshop producing pieces for the Artificer's Guild as well as creating his own designs some of which he exibited at the Exposition De l'Art decoratif in Paris. He often executed his jewellery in gold as opposed to the more typical silver creations produced by his associates.
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