THOMAS JECKYLL, FOR BARNARD, BISHOP & BARNARD
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THOMAS JECKYLL, FOR BARNARD, BISHOP & BARNARD

ANDIRONS, CIRCA 1878-84

Details
THOMAS JECKYLL, FOR BARNARD, BISHOP & BARNARD
ANDIRONS, CIRCA 1878-84
cast iron
34 in. (86.5 cm.) high; 11 in. (28 cm.) wide; 19 in. (48 cm.) deep (2)
Literature
Susan Weber Soros and Catherine Arbuthnott, Thomas Jeckyll, Architect and Designer, 1827-1881, Yale, 2003, p. 229 (similar design adverts illustrated)
Charlotte Gere and Michael Whiteway, Nineteenth-Century Design; From Pugin to Mackintosh, London, 1993, p. 160, pl. 198 (similar design illustrated)
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
Sale room notice
This lot should have a star symbol, which means that VAT is payable at 5 on the hammer price and 17.5 on the buyer's premium.

Lot Essay

Thomas Jeckyll (1827-1881) began working for Barnard, Bishop & Barnard, the Norwich based brass and iron foundry in 1859, as their leading designer. He trained as an architect, but is best known for his metalwork designs for gates, railings, garden benches, seats and fire grates and tools.

In 1876 at the Centennial Exposition in Philadelphia and in 1878 at the Paris Exposition Universelle Jeckyll incorporated sunflowers in pavillion railings. The design was adapted and sunflower andirons were advertised in the Barnard, Bishop and Barnard catalogues of 1878 and 1884. They could be purchased in either cast iron or brass. The price of the cast iron set varied according to the size of the firegrate and cost either £14 or £15.

A similar pair of andirons are displayed in the Peacock Room in the Freer Gallery, Washington, where the room Jeckyll designed for Frederick Leyland is housed. Jeckyll had invited Whistler to contribute to the room but the latter instead obscured a large proportion of the original scheme with various alterations.

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