Bryan Organ (b. 1935)
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Bryan Organ (b. 1935)

Fighting Cock

Details
Bryan Organ (b. 1935)
Fighting Cock
signed and dated 'Bryan Organ 1978' (lower right), signed again, inscribed and dated again 'Fighting Cock - Bryan Organ 1978' (on the frame)
acrylic on canvas
39¾ x 36 in. (101 x 91.4 cm.)
Provenance
Private collection, London, where acquired by the present owner, 22 July 1988.
Literature
T. Heald, 'Painting a Portrait of the Artist', Telegraph Sunday Magazine, 22 January 1984, p. 30, illustrated.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Lot Essay

Bryan Organ was born in Leicester in 1935 and studied at Loughborough College of Art and the Royal Academy Schools (1952-59).

He is a celebrated portrait painter and includes amongst his numerous subjects, Diana, Princess of Wales; Prince Charles and the Duke of Edinburgh; Prime Ministers James Callaghan and Harold MacMillan and jockeys Willie Carson and Lester Piggott.

Another of Organ's portrait sitters, Sir Roy Strong, Former Director of the National Portrait Gallery, recalls, 'Bryan Organ's pictures are conceived by contemplation from afar, but not entirely, for both sitter and artist meet for merry lunches and dinners and peering eyes garner in yet more information to distil onto the final canvas (see exhibition catalogue, Bryan Organ New Paintings, London, Redfern Gallery, 1971, p. 2).

Organ's first solo exhibition was at Leicester City Art Gallery in 1958. His work features in many private and public collections, including Tate Britain, National Portrait Gallery, Royal Society, Government Art Collection and Oxford University.

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