Details
A VERY RARE WHITE JADE SET OF TWELVE ZODIAC FIGURES
QIANLONG PERIOD (1736-1795)

The matching set comprising the twelve animals of the Chinese zodiac, each carved with the animal's head and the body of a human, depicted in the seated position wearing voluminous robes and bearing an attribute in its hands, the rat with a scroll, the ox a whisk, the tiger a basket, the rabbit a fan, the dragon a pearl, the snake with a forked tongue, the horse a court fan, the ram a scroll, the monkey a cane, the rooster a yinyang symbol, the dog a tasselled stick and the pig an arrow, all carved from semi-translucent stone of even white tone
2 1/4 in. (5.7 cm.) high, stands (12)
Provenance
Y. K. Ma, Hong Kong
Literature
Orientations, December 1973, p. 45
Robert Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no. 182
Exhibited
China House, New York, Chinese Jade through the Centuries, 1969, Catalogue no. 75
Indianapolis Museum of Art, Three Dynasties of Jade, 1971, Catalogue no. 28
China House, New York, Zodiac Show, 1995
Christie's New York, 13-26 March 2001
Museum of Fine Arts, Boston, August 2003 - December 2004

Lot Essay

Despite the importance of astrology in Chinese culture, representations of the twelve zodiac animals are surprisingly rare, especially in jade. For other complete sets of twelve from the 18th century, see Jadeware (III), The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1995, pl. 111 (fig. 1), each piece measuring slightly smaller in size (3.1 - 3.3 cm. high); and for another set in the Metropolitan Museum of Art, New York, see Investigations and Studies in Jade, New York, 1906, no. 730. Two of the figures - a horse and a rat - were sold in these Rooms, 29 November 2005, lot 1569; and a single figure of the ram was included in the exhibition, Chinese Jades from the Mu-Fei Collection, Bluett & Sons, London, 1990, illustrated in the Catalogue, no. 68. Another set of twelve from the later Qing dynasty, is illustrated in A Romance with Jade from the De An Tang Collection, Hong Kong, 2005, pl. 76.

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