Lot Essay
Jitish Kallat resurrects the strewn debris of mass media, piecing together old photographs, faxes and photocopies to create a visual collage from which he paints his canvases. Splashing words like truncated slogans across his paintings, Kallat exposes the idiosyncrasies of mechanical reproduction by revealing the grainy resolutions and cropped compositions of his news clippings and internet printouts. Following the aesthetic sensibilities of Pop Art, Kallat has collapsed the picture plane giving his viewer no refuge from his images of child laborers, urchins and street waifs. His subaltern subject matter, flickers between the genial imagery of the everyday billboard and the violence of the agit-prop posters as it confronts its audience.