A REGENCE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND TORTOISESHELL COMMODE**
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A REGENCE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND TORTOISESHELL COMMODE**

ATTRIBUTED TO NOEL GERARD, CIRCA 1725

Details
A REGENCE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND TORTOISESHELL COMMODE**
ATTRIBUTED TO NOEL GERARD, CIRCA 1725
The rectangular top inlaid with a central oval medallion with a scene from Ovid's Metamorphoses, of King Midas, Pan, Apollo and Bacchus amid trees with a pewter-inlaid pond with swans, within a surround of strapwork, trellis, and scrolling foliate arabesques, and with squirrels, birds, and flower-filled baskets, above a bombe case with two short drawers over a long drawer and two further short concave drawers inlaid with further strapwork and scrolls and with escutcheons cast with addorsed dolphins, shells and masks, the sides similarly inlaid, with pierced lion, shell and trailing floral angle mounts, the shaped scalloped sides mounted with a feather-backed lion's issuing scrolled foliage, on splayed cabochon and scrolled acanthus-cast-mounted splayed legs, restorations to Boulle marquetry, mounts re-gilt and probably originally lacquered
35 in. (89 cm.) high, 51 in. (131 cm.) wide, 26 in. (66.5 cm.) deep
Provenance
Robert Hoe (1839-1909), sold American Art Association, New York, 15 February-3 March 1911, lot 3000.
Private Collection, Massachusetts.
Anonymous sale, Christie's, London, 4 July 1996, lot 311.
Anonymous sale, Christie's, New York, 19 May 2004, lot 131.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

Noël Gérard, active 1690-1736.

A number of commodes are recorded with strong similarities to this example, several of which feature the same distinctive lion-mask angle mounts, and which can be attributed to the atelier of the marchand-ébéniste Noël Gérard. These are divided into two groups of commodes, those with two drawers and those with three drawers, as follows:

COMMODES WITH TWO DRAWERS

-one sold from the Koutschoubey Collection, Drouot Paris, 13 June 1906, lot 382
- one in palissander sold from the collection of Mme. Camoin, Drouot Paris, 2 April 1987, lot 133, stamped NG, which forms the basis for the attribution for this group to Gérard
-one sold anonymously, Sotheby's, Monaco, 26 June 1983, lot 290

COMMODES WITH THREE DRAWERS

-one, on loan to Versailles from the Mobilier National, is illustrated in E. Molinier, Le Mobilier Français, Paris, 1955, plate IX

-one, almost certainly acquired by Bertram, 4th Earl of Ashburnham, was sold by the Trustees of the Ashburnham Settled Estates, Sotheby's London, 26 June 1953, lot 117

- one, in red tortoiseshell, with identical lion-mask angle mounts, was sold anonymously, Sotheby's, Monaco, 3 March 1990, lot 247.

Gérard was the half-brother of the ébéniste Jacques Dubois, and in 1710 married the widow of a menuisier en ébène. His workshop at his death comprised 6 workbenches, indicating a wide range of activities, which is further indicated by the fact that in 1726 he was also appointed a marchand-mercier. It is interesting to note in this respect that the inventory taken after the death of André-Charles Boulle in 1732 contained several lion-mask mounts which must have been very similar to those on this commode, described as follows:

No 50 Une boeste de modeles de grands feuillages, masques de fauve, mufles de lion....

No 51. Une boeste de modeles de masques et mufles de lions...

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