William Sadler II (1782-1839)
No VAT will be charged on the hammer price, but VA… Read more PAINTINGS FROM THE COLLECTION OF THE HON. FRANCIS D. MURNAGHAN, JR. (lots 56-77) "Collecting is a curious thing. I suffer the time lag not uncommon among collectors, and find myself uneasy, simply because I cannot comprehend too contemporary an idiom." (1.) In another letter to an art dealer Murnaghan wrote: "Just to locate me in the spectrum. I mention that, among Northern painters, I am particularly pleased with my Andrew Nicholls ..., several Humbert Craigs, and a Conor or two. In general while I am fortunate enough to have begun collecting long enough ago that it has been possible to range from van der Hagen to Swanzy and Jellett, the Barrets, Danby, O'Conors and O'Connors (the one 'l" lama is a priest, the two "l" llama is a beast, etc) and the Yeats's are the ones to which I find I pay most attention." (2.) Thus wrote Francis, D. Murnahan, Jr. in 1982. He was describing his penchant for collecting Irish art as a "wall-devouring entity". Offered here are a sampling of the breadth of Judge Murnaghan's collecting interests. A multi talented man of parts, Francis Murnaghan started collecting Irish paintings around 1970. Fortunately his enthusiasm grew and expanded until his death in 2000. Francis Murnaghan subscribed to the Wildean theory of dealing with temptation: the easiest way is to yield to it. As he yielded over and over to many a seductive painting we, his family, hope that others will now enjoy some of the paintings to which he succumbed. (1.) Letter to Mr. Ivan D. Strahan, Assistant Secretary (Publications), Queen's University, Belfast, March 25, 1982. (2.) Letter to Mr. R.R. Miller, John Magee, Ltd, Belfast, March 25, 1982.
William Sadler II (1782-1839)

View of Dublin from Phoenix Park

Details
William Sadler II (1782-1839)
View of Dublin from Phoenix Park
oil on panel
12 x 18in. (30.5 x 45.7cm.)
Provenance
with Hibernian Antiques from who acquired by the present owner's father in June 1975.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

William Sadler, who was born in Dublin, practised in his native city and exhibited his work at the Royal Hibernian Academy between 1809 and 1833. He is best known for his views of Dublin and its vicitnity of which the present picture is a characteristic example.

Phoenix Park, from which this view is taken, had originally been the site of the the Royal Deer park. In 1751-2 the Rt. Hon. Nathaniel Clements M.P., a banker, politician, amateur architect and developer of 18th Century Dublin and Ranger of Phoenix Park had built a house within the park, in its own demesne. This house was later sold by Clements' son, Robert, later 1st Earl of Leitrim, to the Government as a residence for the Viceroy and it thus became known as Viceregal Lodge. The house was much altered and enlarged by successive Viceroys and in the 19th Century they tended to live there for most of the year only moving into Dublin Castle for the few weeks of the 'Viceregal Season' in the winter. With the establishment of the Irish Free state the house became the seat of the Governor-General and since 1937 it has been the residence of the President of Ireland.

Phoenix Park offered an excellent vantage point from which to have a panoramic view of 18th Century Dublin and many other artists painted views of the city from this direction. Among the artists that painted views of Dublin from this direction were William Ashford (1746-1824), whose View of Dublin from Chapelizod, of circa 1795-8, is in the National Gallery of Ireland (no. 4138) and Joseph Tudor (fl. 1739-1759) whose View of the City of Dublin from Chapelizod was sold in these rooms on 17 May 2002, as lot 24 (Private collection). The focal point of the present picture is the river Liffey with the bridge at Chapelizod, while the Wellington Testimonial dominates the left hand-side of the composition.

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