After William Scrots, probably 17th century
No VAT will be charged on the hammer price, but VA… Read more
After William Scrots, probably 17th century

Portrait of Edward, Prince of Wales, later King Edward VI, aged 8, bust-length, feigned oval

Details
After William Scrots, probably 17th century
Portrait of Edward, Prince of Wales, later King Edward VI, aged 8, bust-length, feigned oval
with inscription 'AN.o.DNI.M.D.XLVI/AETATIS.SVAE/VIII (centre right); and further inscribed '.ICH.' 'DIEN' (centre left and centre right respectively) and '.E.P.' (upper centre)
oil on panel
11½ x 11½ in. (29.3 x 29.3 cm.)
in a Scottish Victorian giltwood and velvet-lined frame surmounted by Prince of Wales feathers, the reverse labelled 'Doig, Wilson & Wheatley, 90 George Street, Edinburgh, Est. 1840'
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This portrait type derives from a profile portrait of Edward VI by William Scrots. William Scrots (Flemish, fl.1537-1553) entered royal service as King's Painter in succession to Holbein in 1543. Both Scrots' bust-portrait (1546, oil on panel, 63 x 16¾ in. incl. frame) and his half-length portrait of Edward VI (c. 1546, inscribed 'AETATIS.SVAE.9', oil on panel, 18 x 12¼ in.) at the National Portrait Gallery, London, are believed to derive from an original profile portrait that is now lost (see R. Strong, National Portrait Gallery: Tudor & Jacobean Portraits, London, 1969, p. 93).

More from Scone Palace and Blairquhan The Selected Contents of Two Great Scottish Houses

View All
View All