A RARE BRONZE RITUAL VESSEL AND COVER, FANGYI
EARLY BRONZES PROPERTY FROM AN IMPORTANT AMERICAN COLLECTION
A RARE BRONZE RITUAL VESSEL AND COVER, FANGYI

SHANG DYNASTY, 12TH CENTURY BC

Details
A RARE BRONZE RITUAL VESSEL AND COVER, FANGYI
SHANG DYNASTY, 12TH CENTURY BC
Of slightly tapering rectangular form, each side cast in high relief with a taotie mask with horns formed by confronted dragons, with pairs of bottle horn dragons below the rim and further pairs of standing dragons with long snouts and curved tails confronted on the small openings in the foot, the cover with a similar inverted taotie mask on each facet below the finial, all reserved on a leiwen ground and with notched corners, with a single pictograph in the base of the interior and inside the cover, with heavily encrusted surface
7¾ in. (19.7 cm.) high
Provenance
Christie's, New York, 29-30 1984, lot 504.

Lot Essay

Fangyi appear to be a distinctly Shang bronze vessel shape which was made from the early to the late Anyang period. During this period there were minor differences in the shape and decoration, but no major evolution appeared to take place, as one sees in some other vessel types. The decoration of all fangyi is arranged in three registers, with large taotie masks on the body between small bands of dragons, birds or animals above, and on the foot below, and usually large taotie masks repeated on the cover. For a full discussion of the evolution of the fangyi see R.W. Bagley, Chinese Ritual Bronzes from the Arthur M. Sackler Collections, Arthur M. Sackler Foundation, 1987, pp. 428-44. The earliest fangyi, as represented by those in figs. 77.7-77.9, have a distinctly defined foot with large arched openings and no flanges on the corners, and the covers seen in figs. 77.7 and 77.9 have a straight cant. A slightly later group is represented by figs. 77.10-77.15, which appear to be of two types: those with flanges at the corners and those without, like the present vessel. On all of them the body continues into the foot in a straight tapering profile and the covers have a slightly convex profile. It is into this group that the present vessel fits.

See, also, C. Deydier, Archaic Chinese Bronzes, vol. I, Xia & Shang, France, 1995, p. 213-8, where the author illustrates fifteen fangyi from different public and private collections, showing the differences and similarities found on these unusual vessels. Two of these are very similar to the present fangyi, one from a private collection, p. 215 (1) and the example from the Avery Brundage Collection, Asian Art Museum of San Francisco, p. 218 (bottom right).

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