Kitao Shigemasa (1739-1820)
Utagawa Hiroshige II (1826-1869)
Tsukioka Yoshitoshi (1839-1892)
Utagawa Kunimasa III (1823-1880)
Inoue Tankei (1864-1889)
Kitao Shigemasa (1739-1820) Utagawa Hiroshige II (1826-1869) Tsukioka Yoshitoshi (1839-1892) Utagawa Kunimasa III (1823-1880) Inoue Tankei (1864-1889)

Kitao Shigemasa (1739-1820)

Details
Kitao Shigemasa (1739-1820)
Utagawa Hiroshige II (1826-1869)
Tsukioka Yoshitoshi (1839-1892)
Utagawa Kunimasa III (1823-1880)
Inoue Tankei (1864-1889)
Nineteen prints including Yatsushi hakkei: Awazu seiran (Stylishly informal eight views: Clearing weather at Awazu), a parody of Omi hakkei (Eight views of Omi) with an interior scene open to a veranda and flowering branches depicting four boys encircled by a cloth "rope," two hold a partially unfurled banner attached to a pole, a mask on the floor behind them, signed Kitao Shigemasa; twelve keyblocks for newspaper illustrations depicting municipal buildings, legendary scenes and landscapes, most signed Taiso Yoshitoshi or Hiroshige ga; Mishima, from the series Suehiro gojusantsugi (Folding fan fifty-three stations [of the Tokaido]), signed Hiroshige ga; Tokaido gojusantsugi: Oigawa no zu (Fifty-three stations of the Tokaido: View of the Oi River), triptych, signed Ichijusai Kunimasa ga; a print from the series Dai Nihon mei shokan signed Oju Yoshitoshi; Tanaka Tsurukichi, from the series Kyodo risshiki (Chronicles of great achievers), depicting a man seated on a tree stump with two soldiers, signed Tankei--generally good impressions, faded, soiled, stained, damages
chuban tate-e: 25.4 x 18.2cm., first; 40 x 28cm., keyblocks, each approx.; oban tate-e: 37.3 x 25.5cm., others, each approx. (19)
Provenance
Jacob Pins, first

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