REPTON, Humphry (1752-1818). Designs for the Pavillon at Brighton. London: for J.C. Stadler [text and plates watermarked 1821-22]. 2° (535 x 358). Hand-coloured aquatint frontispiece, hand-coloured plan and 18 aquatint plates and vignettes, 9 of them hand-coloured, 5 with overslips and one with an overpage, one plate and one vignette tinted (short tear in title not touching text, frontispiece lightly offset on to title, one overslip detached but present, 2 overslips becoming loose, very short tear in last plate, a little unimportant foxing). Contemporary (?original) roan-backed boards (similar to the binding on Abbey's copy), paper label on front cover (extremities worn). Abbey: Scenery 57; Prideaux p.349; Tooley p.207.
Lot 460

REPTON, Humphry (1752-1818). Designs for the Pavillon at Brighton. London: for J.C. Stadler [text and plates watermarked 1821-22]. 2° (535 x 358). Hand-coloured aquatint frontispiece, hand-coloured plan and 18 aquatint plates and vignettes, 9 of them hand-coloured, 5 with overslips and one with an overpage, one plate and one vignette tinted (short tear in title not touching text, frontispiece lightly offset on to title, one overslip detached but present, 2 overslips becoming loose, very short tear in last plate, a little unimportant foxing). Contemporary (?original) roan-backed boards (similar to the binding on Abbey's copy), paper label on front cover (extremities worn). Abbey: Scenery 57; Prideaux p.349; Tooley p.207.

Closed25 September 2007

Price Realised

GBP 4,750

More Information

How to sell

REPTON, Humphry (1752-1818). Designs for the Pavillon at Brighton. London: for J.C. Stadler [text and plates watermarked 1821-22]. 2° (535 x 358). Hand-coloured aquatint frontispiece, hand-coloured plan and 18 aquatint plates and vignettes, 9 of them hand-coloured, 5 with overslips and one with an overpage, one plate and one vignette tinted (short tear in title not touching text, frontispiece lightly offset on to title, one overslip detached but present, 2 overslips becoming loose, very short tear in last plate, a little unimportant foxing). Contemporary (?original) roan-backed boards (similar to the binding on Abbey's copy), paper label on front cover (extremities worn). Abbey: Scenery 57; Prideaux p.349; Tooley p.207.