Circle of Ercole de'Roberti
No sales tax is due on the purchase price of this … Read more Sold to Benefit the Acquisition Fund of the Saint Louis Art Museum
Circle of Ercole de'Roberti

The story of Nastagio degli Onesti

Details
Circle of Ercole de'Roberti
The story of Nastagio degli Onesti
oil on panel
17 1/8 x 61½ in. 43.5 x 156.2 cm.
Provenance
Baron Lazzarini.
with Stefano Bardini, Florence, 1870s.
with John Levy Galleries, New York, from whom purchased by
Leicester B. Faust, 1926.
on loan to The Saint Louis Art Museum, by 1938.
Mrs. Mahlon Wallace and Leicester B. Faust, by whom gifted to
The Saint Louis Art Museum, 1962.
Literature
B.B. Fredericksen and F. Zeri, Census of pre-nineteenth century Italian paintings in North American public collections, Cambridge, 1972, p. 216, as 'School of Ferrara'.
Special notice
No sales tax is due on the purchase price of this lot if it is picked up or delivered in the State of New York.
Sale room notice
Please note that the present lot should be catalogued as 'Circle of Ercole de'Roberti'.
The panel and paint layer have been recently inspected by restorers and found to be original, dating to the late 15th century. The surface is, however, comprehensively restored.

Lot Essay

This panel illustrates one of the stories from Bocaccio's Decameron, that of Nastagio degli Onesti. Refused by the woman he wished to marry, the despondent Nastagio took a walk in the wood where he experienced a startling vision: a naked young woman fleeing in terror from a nobleman on horseback who pursued her with his hounds. Astonishingly, when the dogs eventually caught and killed the woman, she immediately returned to life and the chase began anew. Nastagio asked the nobleman the meaning of this horrible event, and was told that this was her eternal punishment: to be pursued by the suitor she scorned, who subsequently committed suicide out of despair. Realizing the opportunity this presented, Nastagio immediately organized a picnic in the forest for the young woman he desired and her family, whereupon the entire group was frightened by the same vision. Terrified by the prospect of a similar fate, the object of Nastagio's love relented and agreed to marry him.

The story of Nastagio was depicted by Botticelli in a well-known series of four panels, three in the Prado, Madrid, and one in a private collection. In this work, the narrative has been condensed into a single panel.

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