Browse Lots

Global notice COVID-19 Important notice
Liu Ye (b. 1964)
No VAT will be charged on the hammer price, but VA… Read more PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION 
Liu Ye (b. 1964)

Untitled (for Mondrian)

Liu Ye (b. 1964)
Untitled (for Mondrian)
signed in Chinese and English and dated 'LIU YE 97' (center of right vertical edge)
acrylic on canvas
39 3/8 x 39 3/8in. (100 x 100cm.)
Painted in 1997
Galerie Frank Schlag & Cie, Essen.
Acquired from the above by the present owner in 2005.
Special Notice

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The paintings of Liu Ye are steeped in fantastic images and vivid colors, private symbols and allusions which can only be half-comprehended by the viewer. The artist spent much of his early career in Europe, and his exposure to his favorite artists of Western art history have remained ever-present in his works since. These include Vermeer and Mondrian, whose influences can be found in the architectural lines of the composition and the dramatic, almost stagey, lighting of his figures.

At the age of 15, Liu Ye underwent rigorous training in industrial design. He was both repelled and attracted to the perfection required, and eventually found great satisfaction from meticulous execution of linear compositions, what he referred to as 'strictly controlled passion'. It is perhaps this initial training that prompted the artist's interest in Mondrian and his inclusion of allusions to the artist's own works in his paintings. These parallel influences help provide some insight into the impulses behind Liu's mysterious and engaging works.

Liu has said, 'I have equal passion for fairy tales and philosophy. Fairytales are full of imagination and sensitivity whereas philosophy requires strict and rational thinking. Fairytales and philosophy represent two extreme poles of thinking. My paintings roam between these two poles, at times more towards one pole and at other times towards the opposite pole. Only some clues, incomplete ones, indicate the cause and effect behind my creative motives. But, can anyone examine his or her own self inside out?'

More from Post-War and Contemporary Art Evening Sale

View All
View All