A Dutch ormolu-mounted, ebonised and foliate cut brass, pewter and mother-of-pearl inlaid red tortoiseshell eight day longcase clock with astronomical dial and music work
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A Dutch ormolu-mounted, ebonised and foliate cut brass, pewter and mother-of-pearl inlaid red tortoiseshell eight day longcase clock with astronomical dial and music work

ANDRIES VERMEULEN, AMSTERDAM. CIRCA 1720

Details
A Dutch ormolu-mounted, ebonised and foliate cut brass, pewter and mother-of-pearl inlaid red tortoiseshell eight day longcase clock with astronomical dial and music work
Andries Vermeulen, Amsterdam. Circa 1720
CASE: with decorative inlays to front and sides, with waisted pediment surmounted by two carved wood figural finials (formerly five), of Chronos and a turbanned man, the hood arch and sides with repoussé brass sound frets, its front and rear mounted with ormolu pilasters with Composite capitals, with glazed side panels (hinged door to the right), the trunk with scrolling upper and lower sides, the trunk door with brass-framed lenticle and with cut brass inlays of a radiant mask, musical trophies and theatrical masks amidst foliate scrolls, with serpent-entwined engraved terrestrial globe below, with brass mouldings above and below a plinth with front panel profusely inlaid with military trophies, raised on bun feet
DIAL: 12½ in. wide brass dial with bird and urn spandrels to a silvered Roman and Arabic chapter ring with elaborate half hour and half quarter hour markers, signed Andries Vermeulen/Amsterdam, the matted centre with aperture for a moon painted en grisaille and with engraved phase disc, age indication below, with triangular sectors for month (with representative figure) and day (with deity) flanking a date aperture, blued steel hands, strike/not strike lever by 15, the chapter ring engraved above 60 VERSCHIL VAN DE SON MET 'T HOROLOGIE below an aperture indicating solar/mean time equation (plate and wheelwork lacking), the sector above flanked by spandrels representing Mercury and Neptune and showing month with zodiac figure and number of days
MOVEMENT: substantially made and fully latched, with divided back plate and joined by eight pillars, three trains, with anchor escapement and Dutch rack strike on two bells, with seven musical tunes played via a 12¾ in. (32.5 cm.) long pinned cylinder with 32 hammers (all music bells lacking), the tune selection manually adjusted or with automatic next-tune selection powered via a spring barrel, each with arbor through the dial mask to the left of the hood; three weights, pendulum
See p.118 for movement detail
110 in. (280 cm.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

COMPARATIVE LITERATURE:
Jaap Zeeman, De Nederlandse Staande Klok, Zwolle, 1996
A musical longcase clock by Vermeulen of closely related design is in the collection of the Rijksmuseum, Amsterdam, reference BK-1969-102-A (see Zeeman, op. cit., figs.71-71a).
Andries Vermeulen (1680-1752) came from Emmerik. He is listed in the Register of Good Men in 1716 and is recorded in Amsterdam in 1721. In 1726 he had a workshop in The Kalverstraat, later moving to The Huidenstraat. He was the brother of another clockmaker, Bartholomeus Vermeulen, who had a workshop in the Keizerstraat.
Longcase clocks by Andries Vermeulen have been sold Sotheby's Amsterdam, Clocks, Watches and Wristwatches, 12 December 2006, lot 178 and 14 December 2005, lot 149; a musical longcase was sold Christie's Amsterdam, Clocks, Furniture and Works of Art from the Venema Collection, 5-6 September 2006, lot 197. Another musical clock by Andries Vermeulen is in the National Museum, Utrecht.
Although boulle-work inlays are predominantly found on French clocks in the early part of the 18th Century, such decoration is not exclusively French, the 'boulle Tompion' possibly being the most famous non-French example of a boulle clock case.

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