A PAIR OF RUSSIAN ORMOLU AND PATINATED BRONZE OIL LAMPS
VAT rate of 5% is payable on hammer price and at 1… Read more
A PAIR OF RUSSIAN ORMOLU AND PATINATED BRONZE OIL LAMPS

EARLY 19TH CENTURY, AFTER A DESIGN BY LOUIS-SIMON BOIZOT

Details
A PAIR OF RUSSIAN ORMOLU AND PATINATED BRONZE OIL LAMPS
EARLY 19TH CENTURY, AFTER A DESIGN BY LOUIS-SIMON BOIZOT
Modelled with a figure of a young boy and a young girl allegorical of l'Etude and la Philosophie respectively, each seated on an Egyptian oil lamp with spout to one end and a scroll handle to the other, decorated with scrolling vine, the reeded and stylised foliate-cast base above a waisted socle and an oval spreading foot with acanthus-cast edge
13 in. (33 cm.) high; 17½ in. (44.5 cm.) wide (2)
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium
Sale room notice
The description for this lot should read: 'A PAIR OF RUSSIAN ORMOLU, PATINATED BRONZE AND COPPER OIL LAMPS'.

Lot Essay

The almost silversmith-like workmanship apparent particularly in the jewel-like details of the fruiting vine garlands and the gadrooned base meticulously worked in repoussé and highlighted in gold against the patinated bronze bodies of the lamps clearly identifies this mantelpiece garniture as Russian. Designed in the goût Etrusque fashionable in the 1780s it features a lightly clad youth and his companion studying by the light of Roman lamps, representative of La philosophie and L'étude, that were probably first executed in porcelain for a lampe antique in 1780 by the Sculpteur du Roi Louis-Simon Boizot (d. 1809). Boizot succeeded Etienne Falconet as Director of Sculpture at the Royal Sèvres Manufactory in 1773 and later worked in conjunction with the celebrated bronzier Pierre-Philippe Thomire (see E. Bourgeois, Le Biscuit de Sèvres, Paris, 1909, vol. II, p. 22). A design for such an oil lamp with the figure of L'Etude features in a design of circa 1785 and attributed to Thomire (now in the Musée des Arts Décoratifs, Paris).
The Russian link is further underlined by Jean-Laurent Monier's painting of Czarina Elizabeth Alexejewna (1779-1826), which shows her standing by a mantelpiece with an oil lamp after Boizot's design right beside her (an engraving after Monier's painting is illustrated in H. Ottomeyer, P. Pröschel, et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 294, ill. 4.17.4). The lamp shown in the painting might be identified as one of the pair preserved at Pavlovsk (see E. Ducamp, ed., Pavlovsk: The Collections, Paris, 1993, p. 192, cat. 42).

More from Important European Furniture and Sculpture

View All
View All