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Lot Essay
Gerrit van Honthorst, known as Gherardo delle Notti in Italy for his many nocturnal works exploring the effects of artificial illumination, was one of the best known of the Utrecht Caravaggisti together with Dirck van Baburen and Hendrick ter Brugghen. Honthorst first traveled to Italy around 1610-15 after his early training in the studio of Abraham Bloemaert, and quickly attracted the attention of such notable patrons as Vincenzo Giustiniani and Scipione Borghese in Rome; and Cosimo II de'Medici in Florence. Honthorst in turn was attracted to the dramatically tenebrist lighting of Caravaggio and of his closest Italian follower Bartolomeo Manfredi.
Honthorst left Rome to return to the Netherlands in 1620, becoming a member of the Guild of St. Luke in Utrecht in 1622. He quickly established a large and successful studio, and among his most talented pupils were Jan Gerritsz. van Bronchorst and Joachim von Sandrart.
The present painting is evidently a fragment of a larger composition, and was, at the time of its purchase by Professor Held, largely overpainted. The young woman subject was depicted in a yellow dress and the head of the helmeted man in the lower right corner was painted out, as were the figures seated on clouds in the background. The original composition is likely to have been a Merry Company, perhaps comparable to one dated 1623, which features a young female lute player with a similar expression and feathered cap (Bayerische Staatsgemäldesammlungen, Munich). The model appears to be the same as the girl in Honthorst's Flea Hunt (The Dayton Institute).
Honthorst left Rome to return to the Netherlands in 1620, becoming a member of the Guild of St. Luke in Utrecht in 1622. He quickly established a large and successful studio, and among his most talented pupils were Jan Gerritsz. van Bronchorst and Joachim von Sandrart.
The present painting is evidently a fragment of a larger composition, and was, at the time of its purchase by Professor Held, largely overpainted. The young woman subject was depicted in a yellow dress and the head of the helmeted man in the lower right corner was painted out, as were the figures seated on clouds in the background. The original composition is likely to have been a Merry Company, perhaps comparable to one dated 1623, which features a young female lute player with a similar expression and feathered cap (Bayerische Staatsgemäldesammlungen, Munich). The model appears to be the same as the girl in Honthorst's Flea Hunt (The Dayton Institute).