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A SET OF TWENTY GEORGE IV OAK DINING CHAIRS

CIRCA 1825, THE DESIGN ATTRIBUTED TO RICHARD BRIDGENS FOR GEORGE BULLOCK, THE CABINET-MAKER G.BRYSON

Details
A SET OF TWENTY GEORGE IV OAK DINING CHAIRS
CIRCA 1825, THE DESIGN ATTRIBUTED TO RICHARD BRIDGENS FOR GEORGE BULLOCK, THE CABINET-MAKER G.BRYSON
Each with a tablet toprail and caned panel back, above a leather seat, on turned tapering legs, ten stamped 'G.Bryson', eight stamped 'Jack', two unmarked (20)
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No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

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Lot Essay

The cane-backed parlour chairs are conceived in the French/antique fashion introduced in the early 19th century by George Bullock (d.1818) at his Grecian Rooms in Liverpool, and later at Tenterden Street, London, where it was lauded for its tasteful simplicity (see R. Ackermanns, Repository of Arts, 1816). Palms flower the klismos tablets of their crestings, while bas-relief medallions of Ceres paterae grace their French cabriolet backs. Such paterae were a favoured motif of Bullock, who also adopted the palm-flowered tablet for his 1806 Grecian Rooms sale advertisement (see C. Wainwright et al, George Bullock, London, 1988, p.43). The architect Richard Bridgens, who provided designs for the Bullock Workshops, is credited with the design of the firm's oak parlour chairs of related character executed in 1818 for Abbotsford, Scotland (Wainwright, ibid, no. 17). G. Bryson's brand has also been recorded on other related parlour chairs with Grecian-scrolled backs, sold Christie's King Street, 6 July 2000, lot 99.

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