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Tracey Emin (b. 1963)
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Tracey Emin (b. 1963)

Is Legal Sex Anal?

Details
Tracey Emin (b. 1963)
Is Legal Sex Anal?
neon
13 3/8 x 66 1/8in. (34 x 158cm.)
Executed in 1998, this work is from an edition of three
Provenance
Jay Jopling, London.
Acquired from the above by the present owner.
Literature
Ten Years: Tracey Emin, exh. cat., Amsterdam, Stedelijk Museum 2002 (another from the edition illustrated, p. 38).
Tracey Emin BP, exh. cat., London, Tate Britain, 2004 (another from the edition illustrated).
Seduced: Art & Sex from Antiquity to Now, exh. cat., London, Barbican Centre, 2006 (another from the edition illustrated).
H. Luard and P. Miles (eds.), Tracey Emin: Works 1963-2006, New York 2006 (another from the edition illustrated, p. 363).
Special Notice

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

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Lot Essay

Emin has used neon as a consistent medium throughout her career, transforming the simple scrawled text to ascribe the simple, almost innocent association to a medium that is traditionally used for commercial or urban utilitarian purposes.

'The question 'is anal sex legal?' captions a drawing stitched onto a quilt, Garden of Horror (private collection), made in the same year as the neon. Here the words 'Welcome to my Garden of Horror and you know I love you' sum up the artist's attitude to love and sex. She has explained 'love isn't always gentle' (S. Morgan, 'The Story of I', Frieze, issue 34, May 1997, p. 56). Although Emin has commented on the positive aspects of anal sex, in view of her personal history, the question Is Legal Sex Anal? (another from the edition in the Tate Collection, London) may have more sinister undertones. If the word 'anal' is read in the way it is commonly used, as a pejorative adjective derived from Freudian analysis meaning uptight, the question may be wondering whether normal sex is boring. This evokes a rebellious adolescent mentality, in which rules are made to be broken, with possibly destructive results.

Text-based neon signs have been current in art since the 1960s. Is Legal Sex Anal? recalls several neon works by the American artist Bruce Nauman (born 1941), particularly when coupled with its inverse,Is Anal Sex Legal? (another from the edition in the Tate Collection, London). Nauman's works, None Sing Neon Sign 1970 (Sylvio Perlstein Collection, Antwerp) and Run from Fear, Fun from Rear 1972 (Froelich Collection, Stuttgart), use simple inversion to highlight connections and absurdities within language. Another work, Raw War 1970 (Sylvio Perlstein Collection, Antwerp), uses inversion to emphasise the nature of war and is intended to be illuminated when war is occurring. In these neons, the text appears in simple, neutral capitals. By contrast, Emin's neon text works are always made in her signature handwriting, emphasizing the personal nature of their commentary' (www.tate.org.uk).

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