A PAIR OF MONUMENTAL EARLY VICTORIAN SOLID CORNISH SERPENTINE OBELISKS
PROPERTY FROM THE ESTATE OF NEIL RIMINGTON (1928-2009) OF FONTHILL OLD ABBEY ESTATE, WILTSHIRE (LOTS 171-177) The following seven lots were originally at Fonthill, Wiltshire. There have been no less than five magnificent palaces built at Fonthill since 1745, perhaps none more remarkable than Fonthill Abbey, designed by James Wyatt (d.1813) and built by the aesthete and connoisseur William Beckford (d.1844). Loosely based on Gothic monastic architecture, with cruciform nave and central tower surmounting an octagonal chapel, Beckford's Fonthill Abbey was described as the 'most prodigious romantic folly in England'. In 1825, the great Gothic tower collapsed and destroyed the West wing of the house. It was not rebuilt and by the mid-1840s when Richard, 2nd Marquess of Westminster (d.1869) acquired the site, all that remained of Beckford's Abbey was the Lancaster Tower, the Sanctuary and the Oratory at the north end of the North wing. The present lots were recently removed from the Lancaster Tower and were probably acquired by the Marquess of Westminster when he added a low wing to the surviving north end, and have either remained in situ, or were intended for the new Fonthill Abbey he built in 1856 some 500 metres to the South-East. The serpentine obelisks, slate vases and ewer and basin were very probably acquired directly from the 1851 Great Exhibition at Crystal Palace in London. The works of art offered here have passed by direct descent from the Victorian Fonthill. A PAIR OF MONUMENTAL CORNISH SERPENTINE OBELISKS FROM THE 1851 GREAT EXHIBITION
A PAIR OF MONUMENTAL EARLY VICTORIAN SOLID CORNISH SERPENTINE OBELISKS

BY JOHN ORGAN, PENZANCE, MID-19TH CENTURY

Details
A PAIR OF MONUMENTAL EARLY VICTORIAN SOLID CORNISH SERPENTINE OBELISKS
BY JOHN ORGAN, PENZANCE, MID-19TH CENTURY
Each of typical form surmounted by a pyramid-cone finial, on an oblong pedestal with a stepped square top and stepped tapering base
153 in. or 12 feet 11 in. (388 cm.) high (2)
Provenance
Richard, 2nd Marquess of Westminster (d. 1869) at Fonthill, Wiltshire. By descent to Lady Octavia Shaw-Stewart, née Grosvenor (d. 1920) and then by direct descent.
Literature
R. Ellis (ed.), Great Exhibition of the Works of Industry of all Nations, 1851. Official Descriptive and Illustrated Catalogue, London, 1851, Volume II., p. 770 (one illustrated).
The Art Journal Illustrated Catalogue: The Industry of all Nations 1851, London, 1851.
Reports by The Juries: Exhibition of the Works of Industry of All Nations, London 1851, Volume I.
Exhibited
The Great Exhibition, Crystal Palace, London, 1851.

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Lot Essay

The official catalogue of the 1851 Great Exhibition lists some 144 'Manufacture in Mineral Substances' ranging from decorative stone and mosaic work to chimney pieces, ornamental tiles and bricks. The Art Journal declares that 'The Serpentine Marble Works, established at Penzance, in Cornwall, contributed many examples of this beautiful material' and described them as 'all beautiful' and 'considerably enhanced by the variegated colours which pervade the marble'. (Art Journal, op. cit., p. 71).

John Organ of Penzance, Cornwall, exhibited a 'Baptismal font, chimney-piece, chess-table, columns, obelisks, vases, carved and plain; cabinet of specimens, &c., of serpentine stone from Lizard, Penzance' (Ellis,. op. cit., p. 769). He received the distinction of having three of his pieces illustrated in the official catalogue - a ewer and basin, a font and one of the pair of obelisks offered here (see engraving). The Jury commented 'a Prize Medal is awarded for his fine and well-selected groups of objects' in 'an extremely beautiful marble of moderate hardness [...]. The articles exhibited by Mr. Organ are remarkable for their large size, and the good taste they manifest'. He also received an 'Ordinary Mention, or a Special Notice' for 'productions of good workmanship' (Reports, op. cit., pp. 1243-1244 and p. 32).

'[Serpentine-a silicate of magnesia, coloured by iron, manganese, copper, and chromium-occurs in various places in Europe, and has been long worked and much admired as an ornamental stone. The finer kinds, known as ophite, verde, antique, &c., occur chiefly in Italy, and are very hard and of somewhat different appearance from those of the Lizard Point, Cornwall, whence are obtained those here exhibited. The Cornish serpentines are extremely varied in colour, exhibiting veins of red traversing an olive green ground, and are comparatively soft and easy to work. They are obtained in blocks of large size and are capable of being brought into use as marble, and at prices not much more considerable. A very large block is exhibited outside the west end of the Building, in the south enclosure. Large quantities are now quarried at the Lizard Point. The serpentine occurs in veins, which also contain copper, and veins of steatite frequently penetrate the serpentine mass]' (Ellis,. op. cit., pp. 769-770).

The fashion for serpentine was started by Queen Victoria and Prince Albert when they visited Cornwall in 1846 and purchased several ornaments for Osbourne House, their summer retreat on the Isle of Wight, built between 1845 and 1851. This together with the stand at the 1851 Great Exhibition brought serpentine to the notice of the British gentry. Processing mills in Penzance and Poltesco supplied the stone for churches, public buildings and stately homes including Westminster Abbey and Chatsworth House. However the competition from Italian serpentine, coupled with the fact that the stone did not weather well when used for external cladding, forced both mills to close by the end of the 19th century (M. Price, Decorative Stone, London, 2007, p. 180).

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