A ROMAN MARBLE ATHENA
Property from the Collection of Max Palevsky
A ROMAN MARBLE ATHENA

CIRCA 1ST-2ND CENTURY A.D.

Details
A ROMAN MARBLE ATHENA
CIRCA 1ST-2ND CENTURY A.D.
The goddess standing with her weight on her left leg, her right leg bent with the knee visible beneath the drapery, wearing a thick woolen peplos with the overfold at the waist and cascading along the sides in stepped folds, with thin irregular fluted pleats falling below, her scaly aegis worn as a mantle pinned at her right shoulder and enveloping her bent left arm, its lower edge scalloped across the front and folded up along the arm and across the back where the snake tails coil left and right, the now-lost head and right arm originally separately-made and attached by tenons
41½ in. (105.4 cm.) high
Provenance
with Henri A. Kamer Galerie, New York, 1970.

Brought to you by

G. Max Bernheimer
G. Max Bernheimer

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Lot Essay

This statue of Athena is an eclectic Roman interpretation of the Classical Greek style of the 5th century B.C., rather than a specific copy of a known statue type. The regular stepped folds to either side of Athena's peplos overfold replicates what can be found on numerous statues, large and small, as well as on Greek vases, from the 5th century B.C. This archaizing phenomenon, more correctly called classicizing since it specifically imitates the style of the Classical period, began during the Hellenistic period and continued into the Roman period. The aegis, here worn transversally over the shoulder, converts an otherwise anonymous classicizing peplophorus (wearer of a peplos) into a cult statue, although it need not have been used in a temple. The ancient Romans no doubt recognized in such retrospective statues a sense of nobility imbued with sacredness.

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