RARE VASE MINIATURE EN EMAUX DE PEKIN A DECOR EUROPEEN
RARE VASE MINIATURE EN EMAUX DE PEKIN A DECOR EUROPEEN

CHINE, DYNASTIE QING, MARQUE A QUATRE CARACTERES ET EPOQUE QIANLONG (1736-1795)

Details
RARE VASE MINIATURE EN EMAUX DE PEKIN A DECOR EUROPEEN
CHINE, DYNASTIE QING, MARQUE A QUATRE CARACTERES ET EPOQUE QIANLONG (1736-1795)
De forme hu, reposant sur un petit pied évasé orné de volutes rouges, la panse décorée en émaux polychromes sur chaque face d'un médaillon représentant une gracieuse jeune femme vêtue à l'européenne, accompagnée d'un enfant, ces cartouches réservés sur un fond vert pâle rehaussé de rinceaux, les côtés ornés de masques de chimères tenant un anneau dans leur gueule, le col agrémenté de feuilles de bananier sur fond jaune et volutes rouges, marque à quatre caractères de l'Empereur Qianlong dans un double carré à la base
Hauteur: 5,8 cm. (2¼ in.)
Further details
A RARE BEIJING ENAMEL 'EUROPEAN-SUBJECT' MINIATURE VASE
CHINA, QING DYNASTY, QIANLONG FOUR-CHARACTER MARK AND OF THE PERIOD (1736-1795)

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Giulia Cuturi
Giulia Cuturi

Lot Essay

Painted enamels were first imported from Europe in Kangxi Emperor's reign, and by the thirtieth year of his regime at the latest, the Chinese painters had mastered the techniques of producing fine enamel work. Under the Qianlong emperor's reign, the artists in the Imperial workshops attained even higher standards in the production, and the painting style evolved, incorporating the Western perspective and techniques such as the effect of chiaroscuro, into the traditional Chinese painting style. The Qianlong emperor preferred painted enamel decoration to be 'dense' and 'delicate', and at the very start of his reign he was already encouraging the employment of Canton enemellers, attracting many artists who had constant contact with the West through the trading activities and the religious missionaries. Court painters such as Castiligone and his pupils were also very influential in the development of the painting style of this period.

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