Lot Essay
The sculpture at Gongxian in Henan province embodies the last stage in a process of Sinification that Buddhist art underwent during the Northern Wei dynasty. The figures have softer, rounded contours with gentle smiles, downcast eyes with fleshy eyelids and large pendulous ears, all of which can be seen in the present lot. In addition, many of the cave sculptures at Gongxian were carved in such high relief that they were almost free standing. The present head was likely carved in this fashion, as evidenced by the presence of carving in areas at the back, which suggests that it was not carved as a flat wall relief, and stood at least somewhat away from the wall. For further examples of stone Buddhas from Gongxian with similar facial features, see Zhongguo Meishu Quanji - Diaosu bian, vol. 13. Beijing, 1989, pp. 17, 21 and 29, where figures from caves 1, 3 and 4 are illustrated.
Technical Examination Report available upon request.
Technical Examination Report available upon request.