A WHITE MARBLE FIGURE OF A MONK
PROPERTY FROM THE COLLECTION OF FONG CHOW, FORMER CURATOR, METROPOLITAN MUSEUM OF ART
A WHITE MARBLE FIGURE OF A MONK

TANG DYNASTY (618-907)

Details
A WHITE MARBLE FIGURE OF A MONK
TANG DYNASTY (618-907)
Standing with hands clasped at his waist, wearing loose robes draped over the left arm and falling in graceful folds to expose his bare feet, the figure raised on a faceted double lotus base with lobed waist, with some faint traces of gilding and pigment
21¼ in. (54 cm.) high
Provenance
Osvald Sirén Collection, by repute.
S.H. Hoo, New York, 1963.

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Lot Essay

For closely related figures of monks of comparable size, also dated to the Tang dynasty, see O. Sirén, Chinese Sculpture from the Fifth to the Fourteenth Century, vol. II, Bangkok, 1998 ed., pls. 371B and 374. A similar figure, dated to the Sui dynasty, from the Nelson-Atkins Gallery of Art is illustrated in Chinese Art in Overseas Collections: Buddhist Sculpture II, Taipei, 1990, no. 95, p.99.

The figure is likely Buddha's disciple Ananda, who together with Kasyapa, is often portrayed flanking images of Buddha. Ananda is portrayed as a youth with his hands clasped in front of him, while Kasyapa is shown as being elderly, with his hands held together at chest level. One such pairing, dating to the Tang dynasty, can been seen at the Foguang Si in Shanxi, illustrated in Zhongguo Meishu Quanji, vol 4, no. 48, p. 47. Another from the Zhenguo Si is illustrated in Shanxi Fojiao Caisu, Hong Kong, 1991, pl. 3.

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