A VOLPATO BISCUIT FIGURE OF THE BARBERINI FAUN
A VOLPATO BISCUIT FIGURE OF THE BARBERINI FAUN

CIRCA 1786-1800, IMPRESSED VOLPATO MARK AT BACK

Details
A VOLPATO BISCUIT FIGURE OF THE BARBERINI FAUN
CIRCA 1786-1800, IMPRESSED VOLPATO MARK AT BACK
Modelled resting on rockwork beside a tree-stump on a pelt, his pan pipes at the foot of the tree-stump behind him, on an oval base (index and small finger of left hand and index finger on right hand lacking, chip to fig leaf and damage to toes of right foot)
10½ in. (26.7 cm.) high
Provenance
Albert Koonce Harrison Collection, Charlotte, North Carolina.

Brought to you by

Tom Johans
Tom Johans

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Lot Essay

The celebrated engraver Giovanni Volpato founded a porcelain factory in Rome in 1785 specifically to 'reproduce in biscuit the most beautiful antiquities - statues, low reliefs and ornaments - that are found in such great numbers in this realm, to replace the ridiculous dolls which are used on dining and side tables'.1 In 1795 the architect Charles Heathcote Tatham sent Volpato's catalogue (which included the Barberini Faun model) to the architect Henry Holland in England, noting that it was recommended by Angelica Kauffmann. For another example of this figure in the Cini Collection, Pinacoteca Capitolina, Rome, see Hugh Honour, Oscar Ganzina and Fabrizio Magani, i Trionfi di Volpato, Milan, 2003, p. 74, pl. 8, and see p. 41, fig. 3 for an engraving by Giovanni Volpato and Raffaello Morghen of the Barberini Faun executed in 1786.

1. Volpato's Lucchese agent's letter to the Roman government in 1786 cited by Hugh Honour, 'Statuettes after the Antique, Volpato's Roman Porcelain Factory', Apollo, LXXXV, 1967, p. 371.

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