A FRENCH SCULPTED WHITE MARBLE, ORMOLU AND DOVE GREY MARBLE STRIKING MANTEL CLOCK
A FRENCH SCULPTED WHITE MARBLE, ORMOLU AND DOVE GREY MARBLE STRIKING MANTEL CLOCK

SIGNED AND DATED HENRY DASSON, 1887

Details
A FRENCH SCULPTED WHITE MARBLE, ORMOLU AND DOVE GREY MARBLE STRIKING MANTEL CLOCK
SIGNED AND DATED HENRY DASSON, 1887
Modelled with a naked recumbent young woman, above ormolu gallery cast with fluting and bunches of grapes, with ormolu-framed plinth below panelled in grey marble, signed to one side 'henry Dasson 1887', on leaf cast toupie feet, the ormolu bezel in the form of a tambourine, with tassel handle, white enamel dial with gilt-lined royal blue border and raised gilt fleur-de-lys half hour markers, signed on a banner to the centre 'HRY DASSON', pierced and engraved ormolu hands, twin barrels movement with strike on bell
23 in. (59 cm.) wide
Sale room notice
The case of this clock is after Claude Michel dit Clodion's (1738-1814) 18th century original 'La Source'; see Ed. Anne L. Poulet and Guilhem Scherf, Clodion 1738-1814, Muse?e du Louvre 17 March - 29 June 1992, Paris, 1992, pp. 248-251, no. 51.

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Lot Essay

The celebrated ébéniste and bronzier Henry Dasson (d.1896) had workshops at 106, rue Vieille du Temple. Specialising in the production of ancien régime style furniture and objects, he made direct copies of Royal furniture, as well as interpretations of the original models. In 1871, Dasson purchased the workshop and stock of Charles-Guillaume Winckelsen, who had earlier established a reputation for producing furniture of the finest quality. He continued with this acclaim and his display at the 1878 Paris Exposition universelle prompted the critic Louis Gonse to comment: 'nouveau venu dans la carrière industrielle Henry Dasson s'est rapidement crée, par la perfection de ses oeuvres, une très haute situation à laquelle nous applaudissons chaleureusement'. The business continued until 1894, when a sale of remaining stock was held.

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