AN EXCEPTIONALLY RARE IVORY FIGURE OF GUANYIN
Prospective purchasers are advised that several co… Read more
AN EXCEPTIONALLY RARE IVORY FIGURE OF GUANYIN

YUAN DYNASTY (1279-1368)

Details
AN EXCEPTIONALLY RARE IVORY FIGURE OF GUANYIN
YUAN DYNASTY (1279-1368)
The deity is exquisitedly carved, seated in Rajalilsana, posture of Royal Ease, with a string of beads in one hand, the arm held across the body and the other arm leaning on a rockwork pedestal emerging from a tall rockwork platform, her head is slightly tilted forward, the facial features finely rendered with eyes downcast and lips gently indented to provide a smiling expression, the hair swept into a high chignon, fastened under a floral diadem centred by the Amitabha, wearing an elaborate network of beaded jewels draped over her voluminous robe
6 1/2 in. (16.5 cm.) high, wood stand
Provenance
Dr Kappesser Collection, acquired in Germany, 1976
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Lot Essay

During the Tang to Yuan dynasties, Buddhist images of the deities such as Manjusri and Avalokitesvara (or Guanyin) were popularly portrayed seated in Rajalilasana, a posture of royal ease with the left leg placed horizonatally and the right leg vertically pendent. The present seated figure can be identified as the Watermoon Gaunyin, Nanhai Guanyin (Avalokitesvara of the Southern Seas). Both names refer to the Guanyin residing at Mount Potalak on the southern coast of India, and the imagery was introduced into China with the translation of the Avatamsaka, Huayan, sutra in the early 5th century.

Early Chinese ivory carved in subject-form are exceedingly rare. Compare the delicate carving of the facial features to two similar Buddhist figures in the Metropolitan Museum of Art, included in the exhibition, Chinese Ivories from Shang to the Qing, Oriental Ceramic Society, 1984, and illustrated by J. Watt, Catalogue, p. 33, no. 14. The Metropolitan figures are dated 14th to 16th century although the author noted in support of a Yuan dating that the figure of Manjusri is very similar to Yuan period temple columns and the liberal use of the strings of beads is characteristic of the 14th century Bodhisattva images of South China, ibid, p. 33.

The result of a radio-carbon dating of the ivory material taken from the base of the present figure is consisent with a Yuan dynasty dating (laboratory reference RCB-7202).

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