A SET OF FOURTEEN REGENCY GRAINED AND PARCEL-GILT DINING CHAIRS
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A SET OF FOURTEEN REGENCY GRAINED AND PARCEL-GILT DINING CHAIRS

TEN CIRCA 1820 AND REDECORATED; FOUR SECOND HALF 20TH CENTURY

Details
A SET OF FOURTEEN REGENCY GRAINED AND PARCEL-GILT DINING CHAIRS
TEN CIRCA 1820 AND REDECORATED; FOUR SECOND HALF 20TH CENTURY
Comprising: six armchairs and eight side chairs, each with moulded toprail and central carved splat in the form of two lyres centred by a roundel with Apollo's head, above a split-caned seat and sabre legs
The armchairs - 33 in. (84 cm.) high; 20¾ in. (53 cm.) wide; 18 in. (45.5 cm.) deep
The side chairs - 33 in. (84 cm.) high; 18¼ in. (46.5 cm.) wide; 16¾ in. (42½ cm.) deep (14)
Provenance
Acquired from Partridge Fine Arts.
Special notice
This lot will be removed to an off-site warehouse at the close of business on the day of sale - 2 weeks free storage

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Lot Essay

This suite of Regency 'Grecian' or 'modern style' seat furniture with tablet crest rails, scrolled arms and sabre legs derives from chair designs by Thomas Hope (d. 1831) published in Household Furniture and Interior Decoration, 1807, plates 4 and 24. They are a version of the klismos chair, the most prevalent chair design of the period, and reflect fashionable taste promoted around 1800 by George IV, as Prince of Wales. Appropriate for a room-of-entertainment, the pierced horizontal splat of each chair is embellished with a pair of lyres, a musical instrument associated to ancient Greece, flanking a central medallion of the deity, Apollo, whose attribute as the god of poetry, music and leader of the muses is the lyre. These chairs also relate to designs for klismos chairs with premiere and contre-partie metal inlay by George Bullock (c. 1777-1818), the pattern of which survives in the Bullock/Wilkinson Tracings, p. 5 (Birmingham City Museum and Art Gallery).

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