David Hockney (b. 1937)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
David Hockney (b. 1937)

The Hypnotist (S.A.C. 16; Tokyo 32)

Details
David Hockney (b. 1937)
The Hypnotist (S.A.C. 16; Tokyo 32)
etching and aquatint in black and red, 1963, on wove paper, signed and dated in pencil, numbered 18/50, printed by Peter Mathews at the Royal College of Art, London, the full sheet, two short tears with associated creasing at the right sheet edge well outside the subject, a few skilfully repaired nicks at the left sheet edge, otherwise in generally good condition
P. 500 x 500 mm., S. 632 x 566 mm.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Lot Essay

'All the paintings I'd been doing at this time had two figures in them, close together or directly linked...I realised that a reasonable way to unite figures...was to put them in a theatrical or stage-like setting. I hit upon the idea of the hypnotist at work. One of the sources for the idea was a scene in a movie called The Raven, where Vincent Price and Peter Lorre are magicians seated in a large room. The camera doesn't move much as they appear on each side of the screen, and each tried to impress the other with his magic...After a few tricks Vincent Price in his anger uses his hands like a hypnotist and green electric bolts fly between his finger tips and Peter Lorre's. My version has a rather evil-looking hypnotist and an innocent helpless-looking boy (he has no visible arms). This was one of the few paintings from which I also made an etching. I drew the etching plate with the figures in the same position as in the painting, but of course when it was printed it was reversed. Seeing both pictures together made me realise that even pictures read from left to right'. (David Hockney by David Hockney, Thames & Hudson, London, 1976, p. 90)

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