A NAPOLEON III ORMOLU AND GLASS STRIKING MYSTERY CLOCK
A NAPOLEON III ORMOLU AND GLASS STRIKING MYSTERY CLOCK

JEAN EUGENE ROBERT-HOUDIN, PARIS, CIRCA 1850

Details
A NAPOLEON III ORMOLU AND GLASS STRIKING MYSTERY CLOCK
JEAN EUGENE ROBERT-HOUDIN, PARIS, CIRCA 1850
CASE: the dial on foliate cast supports and ovolo moulding above the glass cylindrical column to a spreading foot supported by four chimerae, the platform below with a profusion of foliate engraving, the canted angles with cherub masks above a velvet lined base and ebonised wood plinth on bun feet DIAL: glass dial with brass bezel, black painted Roman chapters, signed 'ROBERT HOUDIN', with ormolu arrow hands MOVEMENT: the long rectangular brass plates joined by four pillars, engraved to the backplate 'E.ROBERT HOUDIN', twin barrels, with replaced platform lever escapement and countwheel strike on gong, the drive from the going train third wheel to a contrate wheel on the backplate with indirect bevel gear to the base of the glass stem driving an inner glass tube with connection at the dial stem with another indirect bevel gear driving an inner glass disc behind the main dial; winding key and regulation key
22 in. (56 cm.) high; 10¼ in. (26 cm.) wide; 7¾ in. (19.7 cm.) deep

Brought to you by

Caitlin Yates
Caitlin Yates

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The present clock is from his 'Fourth Series' of Mystery Clocks notable by the inclusion of a minute hand for the first time. The vertical clear glass column is formed of two glass tubes, an outer stationary tube supporting the dial and an inner rotating glass tube providing drive. It engages with a delicate and thin wheel concealed by the dial surround which is cemented to the edge of a circular and very thin glass plate and thus revolves with it whilst a further stationary plate in front displays the numerals.

A striking mystery clock of related design by Robert-Houdin was sold Christie's London, 15 September 2004, lot 6 (£50,190).

A very similar example is illustrated in Derek Roberts, Mystery, Novelty & Fantasy clocks, Schiffer, 1999, pp.219-232, fig. 19-12 A-B.
Jean Eugene Robert-Houdin (1805-1871) was the son of a watchmaker. A fascination for mechanical objects led to an apprenticeship with his cousin Jean Martin Robert. After working with his father-in-law in Paris (who had himself worked with A.L.Breguet) he began a series of automaton clocks in the late 1830s. Numerous inventions and awards at the great exhibitions of the period followed together with performances on stage of his latest works. As his popularity grew he travelled extensively, performing before Queen Victoria and Napoleon III.

More from The Opulent Eye - 500 Years: Decorative Arts Europe

View All
View All