Alfred Wallis (1855-1942)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM THE ESTATE OF MARGARET GARDINER, O.B.E.
Alfred Wallis (1855-1942)

Gunboats in Wartime

Details
Alfred Wallis (1855-1942)
Gunboats in Wartime
signed 'A WALLIS' (lower right)
oil on panel
7¼ x 12¼ in. (18.4 x 31.1 cm.)
In a frame made by Ben Nicholson.
Provenance
Margaret Gardiner, and by descent.
Literature
Exhibition catalogue, Alfred Wallis, London, Arts Council of Great Britain, 1968, no. 134.
Exhibited
Bournemouth, Arts Club, Retrospective Exhibition of Alfred Wallis, August - September 1950, no. 20, as 'Ships in Wartime'.
London, Arts Council of Great Britain, Tate, Alfred Wallis, May - June 1968, no. 134: this exhibition travelled to York, York City Art Gallery, July 1968; Aberdeen, Aberdeen Art Gallery, August 1968; and Kendal, Abbot Hall Art Gallery, August - September 1968.
Swansea, Glynn Vivian Art Gallery and Museum, Ship-Shape 1880-1980, October 1980, no. 43.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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André Zlattinger
André Zlattinger

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Lot Essay

Margaret Gardiner (1904-2005) was the artist's friend and patron. As well as being a notable patron of the arts, she was a writer, an adopter of political causes and the founder of the I.C.A. She supported a wide group of artists associated with St Ives, including Barbara Hepworth, Naum Gabo, Terry Frost, Patrick Heron, Peter Lanyon, Roger Hilton and Alfred Wallis. In the early days during their struggles for recognition she acquired works by this group through purchase, and later when they were more established as gifts from the artists.

In the 1950s Margaret Gardiner visited Orkney and fell in love with the islands, staying on the island of Rousay which she continued to visit well into her nineties. In 1978 she donated her mainly Cornish, and specifically St Ives art collection, to the people of Orkney. The sea-surrounded landscape of these islands is fittingly reminiscent of much of Cornwall, whose origin is integral to her art collection. The collection is now assembled and on view in two 18th Century buildings at the Pier Art Centre, Stromness, which opened to the public in July 1979.

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