A Lacquer writing box (suzuribako)
A Lacquer writing box (suzuribako)

EDO-MEIJI PERIOD (19TH CENTURY)

Details
A Lacquer writing box (suzuribako)
Edo-Meiji period (19th century)
Square with faceted corners, elaborately decorated to represent the Tanabata myth in gold and silver hiramaki-e, takamaki-e, togidashi and kirikane and inlaid in shakudo with a pair of magpies on a bridge over the Milky Way, clouds and lightning bolts, the dark ground of the box applied with nashiji and the bridge girders embellished with the characters of a classic poem in cursive script (uta-e); the underside of the lid decorated in two colors of gold with two overlapping mulberry leaves on a nashiji ground, the lower tray fitted with a round slate inkstone lacquered in gold on one edge to represent the moon set within two silver-rimmed, cloud-shaped and removable pieces that repeat the cloud and lightning decoration on the lid, and with a cloud-shaped enamelled-silver water dropper (suiteki) in a shaped saucer, itself enamelled with tiny geometric patterns; rims of the writing box silver
9 1/8 x 8¼ x 2in. (23.2 x 21 x 5.1cm.)
With double wood boxes

Brought to you by

Heakyum Kim
Heakyum Kim

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Lot Essay

The lavishly lacquered imagery on this box represents the Tanabata, the seventh day of the seventh month when the star-crossed lovers Hikoboshi, the Herd Boy, and Orihime, the Weaver Girl, meet across the Milky Way. The magpies and bridge on the cover refer to the episode when the girl is despondent that there is no bridge to span the space separating them; her tears induce a flock of magpies to spread their wings and huddle close to provide a feathered bridge.

The poem inscribed in gold lacquer on the piers of the bridge is by the eminent poet Fujiwara no Teika (1162-1241) and is contained in the thirteenth-century anthology Go Ninnaji no miya kacho junishu:
Nagaki yo ni
hane o narafuru
chigiri tote
Aki machi wataru
kasasagi no hashi

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