A LATE VICTORIAN IVORY-INLAID, ROSEWOOD, AND MARQUETRY CABINET-ON-STAND
A LATE VICTORIAN IVORY-INLAID, ROSEWOOD, AND MARQUETRY CABINET-ON-STAND
A LATE VICTORIAN IVORY-INLAID, ROSEWOOD, AND MARQUETRY CABINET-ON-STAND
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Prospective purchasers are advised that several co… Read more
A LATE VICTORIAN IVORY-INLAID, ROSEWOOD, AND MARQUETRY CABINET-ON-STAND

BY GILLOW & CO., LANCASTER, POSSIBLY DESIGNED BY STEPHEN WEBB, CIRCA 1900

Details
A LATE VICTORIAN IVORY-INLAID, ROSEWOOD, AND MARQUETRY CABINET-ON-STAND
BY GILLOW & CO., LANCASTER, POSSIBLY DESIGNED BY STEPHEN WEBB, CIRCA 1900
The rectangular dentilled moulded cornice above a panelled frieze inlaid with scrolling foliage, above a central door inlaid with chimerae flanking a flowering basket, scrolling foliage and birds perching on cornucopiae, flanked by shell-headed niches divided by Ionic-headed pilasters carved with putto heads, the velvet-lined turquoise interior with a single shelf, above a conformingly-inlaid mahogany-lined drawer, the stand with inverse breakfront shelf with moulded edge and two mahogany-lined frieze drawers above a foliate-carved waved apron carved centred by a putto head, on fluted Tuscan columns above a stepped moulded plinth, with panelled backboard, twice stamped 'GILLOW & CO'
69 in. (175.5 cm.) high; 52½ in. (133.5 cm.) wide; 18 in. (45.5 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Amelia Anderson
Amelia Anderson

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Lot Essay

Publications on Renaissance ornament in the last quarter of the nineteenth century, such as G. J. Oakshott's Details and Ornaments of the Renaissance of 1888, promoted the fashion for certosa style ivory inlay. The marquetry decoration on the present cabinet, an eclectic combination of various decorative elements in keeping with the Renaissance revival, is most probably the work of Stephen Webb, a member of the Arts and Crafts Exhibition Society and perhaps the most celebrated designer of ivory intarsia inlay. An employee from the mid-1880's of Messrs Collinson & Lock of Fleet Street and Oxford Street, he stayed with the firm after its takeover by Gillow & Co. in 1897.

A cabinet of the same model is illustrated in Examples of Furniture & Decoration by Gillows, London, 1904, p.136, pl. 3368 where it is described as 'A Rosewood cabinet, carved and richly inlaid with ivory and pearl in the style of the Italian Renaissance'. Another example was sold Christie's, London, 23 February 2006, lot 68 (£20,400), while an additional cabinet of this design is in the collection of the Powerhouse Museum, Sydney.

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