George Gascoyne (1861-1933)
This lot will be removed to an off-site warehouse … Read more
George Gascoyne (1861-1933)

The Turn of the Plough

Details
George Gascoyne (1861-1933)
The Turn of the Plough
signed 'G. Gascoyne' (lower left) and further signed and inscribed 'The Turn of the Plough/by George Gascoyne/8 Gloucester Mansions/Harrington Gardens/London' (on the reverse)
oil on canvas
79 x 165 in. (200 x 419 cm.)
In its original giltwood and composition frame
Provenance
The Junior Carlton Club, London, from whom purchased by the present owner.
Literature
L. Lovatt-Smith, London Living, London, 1997, p.183.
Exhibited
London, Royal Academy, 1894, no.879.
Special notice
This lot will be removed to an off-site warehouse at the close of business on the day of sale - 2 weeks free storage

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

George Gascoyne was a painter and engraver. He studied at The Slade and exhibited at the Royal Academy from 1884. The Studio Magazine, writing in 1915, considered '...the horse that serves the worker in the fields [is where] Mr Gascoyne is pictorially most intimate...and in this vein..is seen at his best' (Vol.63. p.144). The Turn of the Plough exemplifies this subject matter and is painted in the social realist tradition advocated by Hubert von Herkomer. It was exhibited a year before Herkomers pupil and Gascoynes near contemporary, Lucy Kemp-Welch showed her early landmark picture Gypsy Horse Drovers. Heavy horses working the land was a subject that Kemp-Welch was to make her own, as seen in such works as Ploughing on the South Coast (London, Royal Academy, 1902, no264.), but the present picture, in it's scale, compostion and grandeur shows Gascoyne as her equal.

More from Robert Kime and Piers von Westenholz: An English Taste

View All
View All