A ROYAL LOUIS XVI TULIPWOOD WORK TABLE
A ROYAL LOUIS XVI TULIPWOOD WORK TABLE

CIRCA 1788

Details
A ROYAL LOUIS XVI TULIPWOOD WORK TABLE
CIRCA 1788
The rectangular top with a superstructure containing a well enclosed by a tambour shutter and a silk lined adjustable screen, the frieze containing two spring-loaded drawers and a leather-lined writing slide in the front, raised on square tapered legs ending in ormolu sabots and joined by a concave-fronted shelf; on the underside of the upper part of the stretcher the black stenciled mark F below a crown and No. 414, one drawer inscribed in pencil gauche
33½ in. (85 cm.) high, 19¼ in. (49 cm.) wide, 14¾ in. (38 cm.) deep
Provenance
Supplied circa 1788 to Thierry de Ville D'Avray, intendant general, for his use at the château de Fontainebleau.
Anonymous Sale; Sotheby's, Parke-Bernet, New York, 12 April 1980, lot 238.
Offered; Sotheby's, New York, 3 May 1986, lot 87, and unsold.
Anonymous Sale; Christie's, New York, 25 May 1993, lot 121.

Lot Essay

The following entry appears in the inventory of the château de Fontainebleau drawn up in 1788: Chambre de Mr. de Villedavray (sic) 414 - Une table à écrire de bois de noyer de 30 pouces sur 18 (Archives Nationales, O, 3398).

Thierry de Ville d'Avray was appointed Intendant et Contrôleur G°en©ral des Meubles de la Couronne in 1784. He was also premier valet de chambre du Roy. As such, he was entitled to two apartments in each royal residence. Their furnishings were supplied by the Crown. He occasionally used pieces formerly placed in the King's apartments, and pieces intented for him occasionally found their way into the royal family's apartments. A man of taste, he was also very much concerned with his own comfort (P. Verlet, Le Mobilier Royal Français, 1955, pp. 15-16.)

The measurements of this table correspond exactly to those given in the inventory which, however, describes it as being made of walnut (bois de noyer) instead of tulipwood (boise de rose). Mistakes in the Journal du Garde Meuble are not infrequent; moreover refined pieces of this type are not known to have been made of walnut or even veneered with walnut, which was used for manufacturing simpler pieces. The knowledge of woods being extremely vague then and their description being often confused, one must assume that the above discrepancy is due to an error on the writer's part or to a transcriber's mistake (F.J.B Watson, Le Meuble Louis XVI, 1963, p. 45).

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