A PAIR OF SEVRES BISCUIT PORCELAIN FIGURES OF CUPID AND PSYCHE ON COLUMNAR BASES, 'L'AMOUR MENACANT' AND 'LA NYMPHE FALCONET'
A PAIR OF SEVRES BISCUIT PORCELAIN FIGURES OF CUPID AND PSYCHE ON COLUMNAR BASES, 'L'AMOUR MENACANT' AND 'LA NYMPHE FALCONET'

1766-1771, INCISED F FOR FALCONET TO THE UNDERSIDE OF CUPID, INCISED X TO PSYCHE, ONE BASE WITH BLUE INTERLACED L'S ENCLOSING DATE LETTER S FOR 1771 AND INCISED CN

Details
A PAIR OF SEVRES BISCUIT PORCELAIN FIGURES OF CUPID AND PSYCHE ON COLUMNAR BASES, 'L'AMOUR MENACANT' AND 'LA NYMPHE FALCONET'
1766-1771, INCISED F FOR FALCONET TO THE UNDERSIDE OF CUPID, INCISED X TO PSYCHE, ONE BASE WITH BLUE INTERLACED L'S ENCLOSING DATE LETTER S FOR 1771 AND INCISED CN
Cupid seated on a rock holding his right index finger to his lips, his left hand on a quiver of arrows; Psyche seated demurely on a rock, holding the bow leaning against her left leg; each on a bleu nouveau fluted column-form base enriched in gilt
12 in. (30.5 cm.) high, overall (4)
Provenance
Property from the Collection of Mr. and Mrs. Alexander Saunderson; Christie's, New York, 17-18 May 2005, lot 83.

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Lot Essay

The figure of Cupid was originally conceived in plaster by Etienne- Maurice Falconet and exhibited at the Salon of 1755. Two years later, he completed a marble version for Madame de Pompadour. When he became director of the Sèvres porcelain factory in 1757, Falconet eventually adapted the model for execution in biscuit porcelain which became extremely popular. A figure of Psyche was conceived as a pendant in 1761, though it was never executed in marble. See M-N Villechenon, exhibition catalogue, Falconet à Sèvres ou l'art de plaire, Sèvres, Musée national de la Céramique, 2001, pg. 91 no. 4-5.

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