A FRENCH ALLEGORICAL TAPESTRY
PROPERTY FROM AN IMPORTANT EUROPEAN CORPORATE COLLECTION (LOTS 171-173)
A FRENCH ALLEGORICAL TAPESTRY

GOBELINS, CIRCA 1736-39, AFTER PIERRE MIGNARD AND A CARTOON BY ABRAHAM ROMANDON, PROBABLY BY ETIENNE-CLAUDE LEBLOND

Details
A FRENCH ALLEGORICAL TAPESTRY
GOBELINS, CIRCA 1736-39, AFTER PIERRE MIGNARD AND A CARTOON BY ABRAHAM ROMANDON, PROBABLY BY ETIENNE-CLAUDE LEBLOND
Woven in silks and wools, depicting 'Autumn' or 'The Triumph of Bacchus and Ariadne' from the series of 'The Triumphs of the Gods', with Bacchus and Ariadne on a chariot drawn by leopards leading a festive procession followed by the drunk Silenus and surrounded by musicians, dancing youths and maiden and playing putti, with a later yellow and blue outer guard border
10 ft. 11 in. x 17 ft. 1 in. (333 cm. x 520 cm.)
Provenance
Almost certainly supplied to the duc de Nivernois for the French Embassy in Rome on 25 August 1748 where it remained until the French Revolution.
Anonymous sale, Christie's, London, 22 July 1948, lot 201, as a set of three panels also including Spring and Summer.
Literature
M. Fenaille, Etat Général des Tapisseries de La Manufacture des Gobelins, Paris, 1903, pp. 413-414.
H. Göbel, Die Wandteppiche und ihre Manufakturen in Frankreich, Italien, Spanien und Portugal, Leipzig, 1928, vol. I, p. 149.

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Lot Essay

This tapestry formed part of a series of six tapestries depicting the four Seasons plus Parnassus and Latona, after paintings executed by Pierre Mignard for Philippe d'Orléans at château de Saint-Cloud in 1677 (destroyed in a fire in 1870). The first weaving including gold and silver-thread was commenced while Charles LeBrun was still head of the Gobelins in 1686 for the marquis de Louvois, who was a patron of Mignard, in the workshop of Jean Jans. Upon LeBrun's death in 1690 Mignard succeeded him in his post and the payments by Louvois were reimbursed while the tapestries continued to be woven, now for King Louis XIV. Before this first set was completed, Louvois ordered a second set also woven with gold and silver-thread, but from the low looms, which reversed the design in 1689. A third set also included metal-thread. Three sets were subsequently commissioned from the low looms woven without metal-thread. The fourth set remains in the French State Collection as does Summer and Autumn from the sixth set. It his thus very probable that the offered lot formed part of the fifth set. This set was commenced in 1735 and completed in 1739 with the offered lot being completed in the third Gobelins low-loom workshop headed by Etienne-Claude LeBlond. The set was supplied to the duc the Nivernois for the French Embassy in Rome on 25 August 1748. The tapestries remained in the Embassy until the French Revolution when Cardinal de Bernis, then Ambassador, did not accept the new government.

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