A DUTCH DELFT POLYCHROME FIGURE OF A PILLORIED HARLEQUIN
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A DUTCH DELFT POLYCHROME FIGURE OF A PILLORIED HARLEQUIN

CIRCA 1740

Details
A DUTCH DELFT POLYCHROME FIGURE OF A PILLORIED HARLEQUIN
CIRCA 1740
Modelled standing with his head poking through a pillory, wearing a blue cap, a chequered suit of iron-red and yellow spots and diamonds on a green ground, a slap-stick tied around his waist to his right side and a hat draped in his left hand, with yellow shoes, on a green-ground hexagonal section base painted in iron-red with Oriental flowersprays (small areas of restoration to cap and nose, cracked and restored through both feet and hat, associated restoration to base)
9¼ in. (23.5 cm.) high
Provenance
Fischer-Böhler Collection, Munich.
With Peter Mühlhauer Antiquitäten, Pocking, from whom it was acquired on 2 March 2006.
Literature
Birte Abraham, Commedia dell'Arte, The Patricia & Rodes Hart Collection of European Porcelain and Faience, Amsterdam, 2010, pp. 184-185.
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Lot Essay

Commedia dell'Arte figures in delftware are rare, although related models are known with attributions varying from De Porceleyne Schotel, De Grieksche A and De Metale Pot. See the similar example in the collection of the Gemeentemuseum, The Hague, attributed to Johannes Pennis of De Porceleyne Schotel, illustrated by Marion S. van Aken-Fehmers and Loet A. Schledorn, Delfts Aardewerk, Geschiedenis van een nationaal product, Gemeentemuseum, The Hague, Catalogue, Vol. II, The Hague, 2001, pp. 98 & 118, cat. no. 2. Van Aken-Fehmers makes reference to the similar model in the Metropolitian Museum of Art, New York (accession no. 94.4.21), attributed to Pieter Kocx of the Greek A Factory and the example in the collection of Fentener van Vlissingen, illustrated by De Jong, Zie Collectie Fentener van Vlissingen, 1964, no. 386, pl. 6, attributed to De Metaale Pot. For a similar model, called Pantalone and lacking the pillory, see the figure sold anonymously by Sotheby's Amsterdam on 19 September 2000, lot 671. A version also exists in red stoneware, see Meredith Chilton, Harlequin Unmasked, The Commedia dell'Arte and Porcelain Sculpture, Singapore, 2001, pp. 164-165, no. 274.

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