A MUGHAL PALE CELADON JADE CHRYSANTHEMUM DISH
THE PROPERTY OF A GENTLEMAN 
A MUGHAL PALE CELADON JADE CHRYSANTHEMUM DISH

18TH CENTURY

Details
A MUGHAL PALE CELADON JADE CHRYSANTHEMUM DISH
18TH CENTURY
The dish is thinly and delicately carved with four concentric bands of petals radiating from the cross-hatched flowerhead in the centre repeated at the base, the sides flanked by a pair of handles pierced in the form of stylised flowers and leaves suspending loose rings. The translucent stone is of a pale celadon tone with milky speckling and minor darker inclusions.
7 7/16 in. (18.9 cm.) across

Brought to you by

Nick Wilson
Nick Wilson

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The present dish with its extraordinary thinness and exquisite polishing is representative of the fine Mughal jades highly admired by the Qianlong Emperor. It is recorded that the Qianlong Emperor was presented with the first Mughal jade bowl as a tribute from Central Asia in 1756, and was so enthralled by its enticing beauty that he ordered Chinese jade carvers to replicate its style. However the efforts of the Chinese carvers to reproduce Mughal jades ended in vain as the end results all tend to be slightly heavier, thicker and less intricately carved than the Indian prototypes.

Nonetheless the Emperor's high regard for Mughal jade persisted. Out of over 800 compositions which the Emperor wrote on jade, more than 50 were devoted to Mughal jade, which he described as 'thin as paper'. One such example is a poem written in 1770 in praise of a Hindustan white jade bowl and may be translated as:

Hindustan jade is selected from the river,
Smoothed by stream water to give its exceptional finish.
Fine workmanship makes a myriad of petals to form a steady foot;
Double flowers are exquisitely paired.
Fine jade comes from Xi Cheng* as of old,
Fair and delicate it now surpasses the jade maiden.
Forbidden to be used regardless of the tea,
A stern prohibitation edict issued long hence.

*place name near Xinjiang


This poem was also followed by a note written by the Emperor in which he mentions that the Hindustan bowl is carved with 'twelve long leaves rising to the mouth rim, flanked by a pair of handles each in the form of a flower supported on leaves. The material is glossy and smooth, worked to be thin as paper. This fine material is so exquisitely carved that it is unable to be reproduced by jade craftsmen of the Middle Kingdom'.

More from Important Chinese Ceramics and Works of Art

View All
View All