Lot Essay
Rich in color and of noble and classic proportions, this tempietto is emblematic of the dazzling achievements in Renaissance Florence of marble and hardstone inlay as well as of architecture. Although Florentine stone carvers were producing such sophisticated work throughout the 16th century, it was not until 1588, under Ferdinando de' Medici, that their workshops were unified into the state Grand Ducal workshops known as the Galleria dei Lavori. These are still active today as the Opificio delle Pietre Dure.
While the Strozzi coat-of-arms applied to the sides are almost certainly 19th century additions, they nevertheless point to the Florentine origins of this piece.
While the Strozzi coat-of-arms applied to the sides are almost certainly 19th century additions, they nevertheless point to the Florentine origins of this piece.